Research On The Mind And Body Concepts Of Dance In Zhu Zaiyu's "Le Lu Quan Shu"

Through the comprehensive application of historical research method,literature analysis method and other research methods,this paper takes the concept of dance science as the core research object in zhu zailu’s book of music law,adopts the way of"left picture right book ",through analyzing historical books and dance spectrum images,in order to make a comprehensive investigation on the concept of dance science body and mind in zhu zailu’s book of music law.In the interpretation of the concept of body and mind,the connotation of "body" is divided into two levels :"body movement "and" body ritual ",while the analysis of "heart" is carried out from the aspects of "heart respect" and "heart special ",and combs the physical and mental interaction according to the theory of" mind master body "and" body see heart ".Then it is concluded that the concept of body and mind of dance —" the transformation and opening of traditional music and dance theory "," and blood,nourishing temperament"— medical theory into the study of body and mind concept "," meaningful form"——give symbolic meaning to the action of "body" and "pay attention to the practical dimension of" body "— the practicality of body and mind concept ".It can be said that Zhu Zaili’s dance science and his concept of body and mind are the inheritance and innovation of Confucian music and dance theory,and also the acceptance and development of traditional body and mind theory,which is a great success and a new speaker in the development of music and dance theory in the late feudal society of our country.Based on this,it is of positive theoretical value and practical significance for the protection and development of traditional dance culture.This paper consists of five parts: introduction,which focuses on the origin of the topic,research object,research methods and literature review,and defines the related concepts of body and mind involved in the text;the first chapter is divided into two sections to explain and explain the related concepts of dance in Zhu Zaili,the Book of Music Law and the Book of Music Law respectively;the second chapter explores the origin of the concept of dance in Zhu Zaili’s Book of Music Law from the background and ideological origin of the times;The third chapter is the main body of this paper,respectively,the "body "," heart" and "the relationship between body and mind" in the concept of Zhu Zai’s body and mind,and then explore the characteristics of Zhu Zai’s concept of body and mind;the fourth chapter is based on the content and characteristics of Zhu Zai’s "Music Law Book ",analyzes the value and limitation ofZhu Zai’s concept of body and mind.The author hopes to provide some theoretical reference and practical enlightenment for the construction of Chinese classical dance culture.