Research On The Relationship Between "Long River" And Lu Jiaping From The Perspective Of Literary Geography

As a subject which studies the relationship between literature and geographical environment,the research content of literary geography is more novel than that of literary history.From a horizontal perspective,it studies not only the internal space of literature,but also the external space of literature.Vertically,it studies not only the time dimension of literary works,but also the space dimension of literary works.Therefore,to explore the relationship between literary place names and texts by means of literary geography,first of all,we should study the internal space of texts from the perspective of texts.Secondly,the geographical environment of the text is studied.Then,the influence of the writer’s personal factors on the text creation is investigated.Finally,the paper studies the effect of text communication.Lu Jiaping,the place where Shen Congwen’s story of the long river takes place,is the place where Shen Congwen has limited reduction of literary scenes and the combination of virtual and real.It is a new way to study the text paradigm of the long river from the perspective of literary geography to examine the relationship between the long River and Lu Jiaping.Lu Jiaping’s spatial construction of the long river objectively makes the place name symbols,climate,phenology and infrastructure in the long river be inspired.This is very important in the long river which takes the geographical space as the story clue.Subjectively,Lu Jiaping’s primitive religious beliefs,special language symbols and local specialties have a mapping relationship in the long river,which shows the significance of Lu Jiaping for the spatial construction of the long river.The correspondence between the internal geographical events and the geographical objects in the text of the long river constructs lujiaping with accurate geographical position."Orange","water" and "mountain",as the geographical images in the long river,play a role in rendering the natural environment of lujiaping in the novel,which is a distinctive feature of lujiaping and its surrounding areas different from other regions.The construction of political power space,traditional custom space and natural geographical space shows us the closed narrative space of lujiaping.Shen Congwen,the first audience of the novel,makes limited restoration of the scene of lvjiaping in his works,which is based on his knowledge and understanding of lvjiaping.His specific life field and experience are doomed to have contact with lvjiaping.In his early years,when he went out to join the army,lvjiaping was the only place to pass.When he returned to his hometown,lvjiaping was still the only place to pass.This provides sufficient conditionsfor the location of the story of the long river.Because of the influence of regional environment and family environment,his creative motive is dissatisfaction with the so-called "modern" deification of the people in Western Hunan.For this reason,Shen Congwen talked about the reasons for his creation of "the long river" in his many family letters and the inscription of "the border city".As a realistic novel,the theme of Changhe is related to the interests of the people in power,so its publishing process is complicated.Despite the tortuous publishing process and the addition and deletion,this does not affect the long river as a literary masterpiece.The successful creation of "Changhe" reflected on lvjiaping,enlightened lvjiaping’s "Changhe culture",and laid a solid literary foundation for lvjiaping to build cultural tourism in the context of global tourism.Lu Jiaping once again proved it to the world.Literary Symbols and cultural tourism play an irreplaceable role in the development of local economy.