Music Analysis And Performance Analysis Of Zhang Shuai's "Three Preludes"

Since the reform and opening up,China has ushered in a new situation,people's demand for spiritual civilization and quality education is gradually increasing.Among them,the communication and integration of Chinese and western music culture are more and more frequent and deeper.In the field of piano music creation,a large number of outstanding modern and contemporary composers have emerged.Their piano music creation not only borrows the western composing techniques,but also has the characteristics of folk music.Composer zhang shuai's piano work "three prelude" is one of the most representative works.These three preludes all adopt the form structure of single and three parts.The melody of the music is mainly the national pentatonic mode,combined with the western modern music composition techniques,and the full use of jazz music elements and syncopated rhythm pattern makes this piano work exude unique charm.This paper selects "three prelude" as the research object,respectively from the creation background,music analysis and performance analysis of three parts of the works for in-depth elaboration: the first part is the main content of zhang shuai's music experience,creation style and "three prelude" creation background;The second part mainly analyzes the musical text of the work through the characteristics of musical elements such as the form,melody,rhythm and strength,and summarizes the musical style of the work.The third part,combined with the author's own performance experience,analyzes the difficulties in the work such as semitonalization,rhythm,emotion processing and the use of pedals,and based on this,provides some Suggestions for future performance practice.