The Musical Narrative Study Of Slonimsky's "Tenth Symphony (Hell)"

This article is The Tenth Symphony(Hell)of the Russian composer,Sergei Mikhailovich Slonimsky(1932.8-2020.2),known as the "Contemporary Russian Music Leader".For the research object,from the perspective of musical narratology,this paper studies the literary narrative prototype and the construction logic of music form in The Tenth Symphony(Hell)from the perspective of musical narrative,and finds the hidden narrative discourse in the works.The strategy,in order to explore the expression of the title text in The Tenth Symphony(Hell)and the role of the structure of the narrative level in music,and finally combined with the characteristics of the composition of the work of the composition of the work.This thesis consists of three parts: introduction,text and conclusion.The introduction introduces the significance of the topic and the current status of research at home and abroad,a brief introduction to Slonimsky's life,and the background of The Tenth Symphony(Hell).Because this work was created in the context of the disintegration of the Soviet Union,the Russian state was in turmoil,and the people lived in aquatic fiery.The composer described the plot of Dante's "Divine Comedy: Hell" to reflect social reality.The main body consists of six chapters.The first chapter is a review of the concepts and analytical strategies,theoretical sources,and development of the music narrative theory,and provides a theoretical basis for subsequent music narrative analysis.The second chapter is the analysis of the literary narrative prototype of The Tenth Symphony(Hell),which mainly analyzes the literary narrative source of this work-Dante's "Divine Comedy: Hell" and The Tenth Symphony(Hell).Interpretation of the symbolic meaning.The third chapter to the fifth chapter is a concrete musical narrative analysis of The Tenth Symphony(Hell).The third chapter is the analysis of the musical theme and narrative image of this work.It mainly studies the generation,deformation and penetration of the musical theme in detail.The fourth chapter explores the musical structure and composition of the work from the perspective of the overall structure and tonal layout of the work.The "narrative style" narrative expression;Chapter 5 starts with the orchestra as the starting point,and explores the descriptive and rendering narrative methods of the work from the aspects of band organization,special performance techniques,and orchestral texture.The sixth chapter is to sort out the philosophical narrative connotation of The Tenth Symphony(Hell).In contrast,the contemporary significance of the work's refraction and the intellectual's reflection on suffering in this context,to achieve deep thinking on the meaning of the work's creation.The conclusion summarizes the four aspects of the musical narrative theory background,the literary narrative prototype of The Tenth Symphony(Hell),the musical narrative analysis,and the philosophical narrative connotation,and explores the deep recognition of the creative conception of the work under the new perspective of the musical narrative theory analysis.In order to reflect on Slonimsky's creative will and emotional expression in this work.