| W. G. Sebald's writing has often been observed to have a unique quality, a "Sebald effect". But what is this effect? In asking about it, I was struck by the fact that, even though chiaroscuro (Italian for light and dark) is widely used in the visual arts an appreciated by many due to its mysterious quality, it is also present in Sebald's work. Yet, it is ignored by all the literary criticism on him. Because of this discrepancy, in my dissertation I explore this artistic technique which is a key concept in creating a peculiar atmosphere because personal and historical aspects are illuminated or hidden in a similar fashion as those in a chiaroscuro composition. In fact, the latter is not only an effect of the visual arts but also of prose. In the same way as the Dutch master, Rembrandt, Sebald has placed black and white in conversation while adjusting the shades of grey to the desired density for form, texture and substance. In my thesis I argue that a deeper meaning behind this technique is not produced by a strong black and white distinction, but by observing how one gradually blends with the other. This blend gives the composition a symbolic quality as it allows the artist to set up patters of both showing and hiding and makes any symbolism of light/white and dark/black complex. The viewer is, thus, compelled to look in-between those tonal shades to find the deeper meaning behind the work. Since the Dutch painter was important to the German author he stands as a significant model for all his oeuvre.;In my dissertation I begin by explaining chiaroscuro in art, then I show how it can be applied to photography. After that, I analyze chiaroscuro in Sebald's photographs, then in his prose. In conclusion, I argue that it is this technique which holds the fabric of his works intact through an invisible thread and gives his prose "a Sebald effect." With this study I have given an analytical theory for future research and have contributed to the larger body of literature scholarship. |
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