| With the rapid development of social economy and science and technology,some intangible cultural heritage is increasingly difficult to integrate into the process of modern society.With the emergence of new art forms,production techniques and new materials,lacquer art is gradually fading out of our daily lives.In recent years,the art of design has developed vigorously and radiated new vitality.Designers pay more attention to the comprehensive application of traditional culture and its cultural connotation,which has given birth to a diversified design art style.In addition,the combination of culture and design plays an important role in enhancing the added value of products and national brand image.User participation in design is user-centered,opening part of the design rights to users,giving users space for their own creativity and design to meet the diverse needs of users.Therefore,based on the concept of participatory design,re-excavate the application space of Chengdu lacquerware in the field of modern cultural and creative product design,and inject new strength into the design of Chengdu lacquerware cultural and creative products.First,the historical development of Chengdu lacquerware is explained.Through field investigation and questionnaire survey,the current problems in the production and development of Chengdu lacquerware are understood.Combined with domestic and foreign cultural and creative product design method theories and cases,the basic research framework of the thesis is determined.With user participation as the innovation-oriented,through questionnaire surveys,user group analysis,user interviews,user portraits and user perception preference analysis to obtain target user needs,and summarize the target user needs.From the perspective of cultural creativity,it collects ancient lacquer products and existing products,summarizes and extracts its shape,decoration,color and other elements,uses shape grammar deduction rules to transform the extracted design elements,and obtains new design elements.According to the needs of users to generate design solutions.Finally,users are invited to evaluate the satisfaction of the design plan,and the final design plan is screened out;through the combination of online interaction and offline participation experience,users are truly involved in the production process of the product,and the "tool field" is completed."APP design practice and Chengdu lacquer cultural and creative product series design works have verified the feasibility and effectiveness of Chengdu lacquer cultural and creative product design methods for user participation.With user participation as the core,the application of the concept of user participation in the design of cultural and creative products was discussed,and the design process of Chengdu lacquer cultural and creative products for user participation was proposed.Through the innovative design of Chengdu lacquer cultural and creative products,the use of users was improved.The experience and interactive experience meet the diverse creative needs of users,and also provide a reference for the design,development and promotion of other cultural and creative products. |