The Study Of Jingpo "Zhidong Guo Bengsha" Ritual Musical Ethnography In Longchuan Longba

The ritual of "Zhidong guo Bengsha" is a small sacrificial activity held at a specific time and place in the village community as a unit.It is for the couple of the special belief god "Xiangshao ",through the men’s team and women’s team in the village adopt the way of erecting two bamboo poles to protect the young men and women in the village to get married smoothly ancestor worship ceremony.The paper takes the ceremony of "Zhidong guo Bengsha" held by the group of bangwan committee of Longchuan,Dehong,Yunnan Province as the field investigation,and records detail of ritual process.Taking the ritual as the research subject,this paper analyzes each element of the ritual to form a musical ethnography writing paradigm.The "Zhidong guo Bengsha" ritual was holding in the village community reflects an ideological category of "collective consciousness",which reflects the social morality of the group in the community,and the inner deep culture hides the group spirit of the region."Soundscapes" is one of the theoretical supports for studying ritual music.This paper expounds the relationship between ritual belief,Soundscapes and dance "far/near" and discusses the two-level variables of "near music/far language" in ritual.The author put forward that ritual instrument has the same type and isomorphic relation with its Soundscapes,which are an interwoven organic whole.The progress of the whole ceremony is carried out in the performance of the elephant foot drum dance and the elephant foot drum band.The morphological and musical features of the dance steps of the percussion and wind accompanied by the elephant drum dance and the band are one of the focuses of the research of Soundscapes and dance in this paper.Jingpo ethnic elephant drum dance is a collective dance of groups,which contains rich ethnic group consciousness and aesthetic concepts.It inherits the common aesthetic concepts of groups with a constantly changing cultural metaphor.The three-dimensional model of "Belief-Ritual-Soundscapes" is a deep analysis of the cultural connotation of the case,and the three constitute a three-in-one whole.As the first layer of ritual support,belief lays the foundation for the presentation and transformation of ritual,sound and sound."Belief-Ritual-Soundscapes" run through every link of the ceremony forming a "you have me in you,i have you" adhesive relationship.Cultural development is characterized by diachronic and synchronic context.Cultural development promotes the inheritance and development of rituals in a dynamicway.The inheritance of national culture needs to respect the folk facts.and the development of traditional village rituals also follows the law of the development of The Times.