A Research On The Dissemination Of Female Images In Domestic Youth Films Since The 1990s

Since the 1990 s,all aspects of Chinese society have changed.They are shown in movies.Youth films created with the sixth-generation director as the core have entered the audience ’s attention,and the life experience of young individuals has begun to attract attention.After the new century,with the development of China’s film and television industry,the youth films in China’s mainland have ushered in a golden period of development,and various types of female images have begun to appear in youth films.This article takes part of the domestic mainland youth movies from the 1990 s to 2019 as the text,and uses literature analysis,content analysis,interdisciplinary research and other research methods to explore the female images and cultural connotations.First,this article attempts to define the concept of "Youth Film",then combs the development of domestic youth films,understands the background of female images in different periods,and combs the female images in domestic youth films before the 1990 s.It is found that the youth film has always been keenly aware of historical changes and social changes.It changes with the changes of the times,and the evolution of female images also resonates with its frequency.Secondly,this article starts from two aspects and analyzes what kind of female images Lu domestic youth films have shown since the 1990 s,and how to show individual female images on the movie screen.Among them,the female images presented in the mainland’s domestic youth films are first discussed,and they are divided into four images: "love victims","aphasia","independent women" and "marginal women who are rebellious";then From the perspectives of three-dimensional symbol formation and diversified narrative strategies,this article analyzes how these female images are shaped.Third,the article analyzes women’s identity and consciousness through research on women’s image.Among them,this article explores the awakening process of female consciousness by using "theory of self" and "customer self" theory and "mirror theory".The so-called "feminine consciousness" is mainly manifested in the film’s female subjective consciousness and the shaping of female images.Only when the subjective consciousness and the female image building are organically combined can it be described as a complete presentation of female consciousness.Finally,this article explores the cultural implication of women’s image and its significance for discussion.Various types of female images are displayed on the screen.The status of women is constantly rising and the consciousness of women is constantly awakening.However,women still live under the shadow of patriarchal culture,but they are hidden deeper and hidden among men and women.Under the appearance of equality,it is even harder to detect.This article points out that in order to get rid of this phenomenon,women need to break through male authority through their own unique experience,establish their own subjective consciousness,and seek the self-identity of the subject.Only in this way can women’s ultimate liberation be achieved and their selfworth be realized in social development.