“Dragon-carving And The Literary Mind-li Ci” And The Theory Research Of Parallel Prose

“Dragon-craving and the Literary Mind-Li Ci” embodies liu xie’s view of Parallel Prose.On the basis of summarizing and summarizing the experience of Parallel Prose creation in the six dynasties,“Dragon-craving and the Literary Mind-Li Ci” clearly Outlines the evolution process of Parallel Prose,and puts forward a systematic and complete Parallel Prose theory for the first time in the history of ancient Chinese literary theory.This paper takes “Dragon-craving and the Literary Mind-Li Ci” as the research center,The text consists of four chapters:Chapter 1,the meaning of “Li Ci” and origin of Parallel Prose.By the analyzing of “Li Ci” from three aspects of philology,literary criticism and literary development,“Li Ci ” refers to the Parallel Prose style of the six dynasties with gorgeous and dual features.Liu xie didn’t focus on Parallel Prose in the part of style theory,but analyzed the features of Parallel Prose from the perspective of creation theory,which was closely related to the comprehensive parallelization of various styles in the six dynasties.Liu xie put forward that Parallel Prose originated from the way of nature,which was influenced by the thought of "Parallel Prose" and the dual thinking of the primitive ancestors.Chapter 2,the study of the evolution of Parallel Prose in “Dragon-craving and the Literary Mind-Li Ci”.From the pre-Qin period to the Wei-Jin period,the evolution of Parallel Prose is mainly reflected in the development of duality and rhetoric.During the southern and northern dynasties,with the development of the theory of allusion and rhyme,the creation of Parallel Prose reached its peak.Parallel Prose prevailed in the six dynasties,which was closely related to the interpenetration of prose,poetry and fu,the reconstruction of thought and culture,and the awakening of aesthetic consciousness.Chapter 3,the study of the Parallel Prose theory in “Dragon-craving and the Literary Mind-Li Ci”.liu xie put forward four Parallel Prose theories,namely “four pairs”,“combining Parallel Prose and Prose”,“Qibiqilei” and “Proportion of language”.The theory of “four pairs” divides antitheses into four pairs and opens the door of dual classification.The theory of “combining Parallel Prose and Prose”,which provides a new theoretical perspective for the problem of Parallel Prose and Prose.The theory of “Qibiqilei” introduces “Qi” into Parallel Prose criticism and enriches the connotation and outer boundary of “Qi”.The theory of “Proportion of language” puts forward the viewpoint of literary quality matching,and establishes the aesthetic paradigm of “full of emotion”.Chapter 4,the study of the influence of “Dragon-craving and the Literary MindLi Ci”.The profound influence of “Dragon-craving and the Literary Mind-Li Ci” is illustrated through the collation and induction of the materials directly quoted and used and indirectly accepted and developed by later generations.