| Fen·Mo premiered at the 55 th anniversary of the Beijing Dance Academy in 2009.Its successful performance aroused a strong response from the dance world and brought a new impetus to the development of contemporary Chinese classical dance.Seven years after the premiere,Fen·Mo was carefully re-arranged and successfully performed again at the Beijing Dance Academy Dance Theater.After time polishing,the work has been partially modified and processed on the basis of respecting the original work.It focuses on the inheritance and interpretation of traditional culture from the perspective of both the idea and the vocabulary of the dance,while paying more attention to the expression of the ontological language of Chinese classical dance.Fen·Mo is based on the famous exposition of Tang Dynasty painting theorist Yanyuan Zhang in "Historical Paintings of Past Dynasties" : "Ink is transported with five colors,which is a triumph.If you intend to use five colors,the image is surly." As inspiration for the creation,China Classical dance as a carrier,unfolding a historical picture full of classical charm,reflecting the traditional Chinese culture.The process of Fen·Mo is very tortuous,and has faced several setbacks.In the end,the editorial team’s love and responsibility for Chinese classical dance was completed.The work returns to traditional Chinese culture.Under the two-way exploration of rooting and innovation,it grasps the rhythm of Chinese classical dance,expresses the unique Chinese traditional aesthetics,and highlights the re-interpretation of body language in the new era,showing Chinese classical dance.The unique artistic charm of China has contributed to the inheritance and development of our traditional Chinese culture,theory and practice.On the other hand,the current convergence of Chinese classical dance creation is becoming increasingly serious.As a result of the teaching of Chinese classical dance,Fen·Mo has found a new idea in its explorative creative method.It has successfully found a vast new continent for the creation of Chinese classical dance and opened up a diversified situation.Its artistic characteristics also have a positive impact on the artistic practice and development of the entire "Chinese classical dance" discipline.Therefore,the author believes that combining the exploration of traditional Chinese culture and Chinese classical dance with Fen·Mo,the author will study the creative characteristics of the dance drama Fen·Mo from the aspects of dance language,music creation,and modern dance beauty design.It will play a positive role in the development of the teaching system of Chinese classical dance and Chinese classical dance,as well as the inheritance and development of China’s outstanding traditional culture.It is a very important research work.The full text is divided into six parts for research.The first part is the background and significance of the topic,the current research status at home and abroad,the research methods and the innovations of the research.The second part is the introduction and content of the creative background of Fen·Mo;And modern dance beauty design to analyze the artistic creation characteristics of Fen·Mo;the fourth part discusses the artistic characteristics and aesthetic connotation of Fen·Mo;the fifth part discusses Fen·Mo The artistic value is carried out from three aspects: the development of traditional culture,the development of Chinese classical dance,and the construction of the discipline of Chinese classical dance.The sixth part is a general summary of the full text,and it is set as the conclusion. |