The National Discourse Debate Of Chinese Art Criticism In The Post-new Period

"National discourse debate" is an important topic in the field of Chinese art criticism in the post-new period.In the 1990 s,the world political and historical stage experienced a dramatic shock,with great changes in social and cultural trends.The "cold war bina Nry opposition" was replaced by the "interactive integration" of diversified political,economic and cultural factors.Under the sweeping tide of globalization,the consistent pursuit of "modernity" in Chinese contemporary culture will also face the crisis of being replaced by international "postmodernism" and "post-colonialism".With the re-opening of the door to the outside world,various western theories and theories rush in,and Chinese and western cultures collide and blend with each other to form a huge space of cultural tension.The choice of culture cannot be avoided.In this context,Chinese art theorists launched a fierce debate between Chinese and western cultures around national identity and cultural identity,and formed three schools: "restoring ancient ways","overall westernization" and "integration of Chinese and western".Although these three forces represent the viewpoints and values of different groups of critics on the development of Chinese art,they are even full of fierce conflicts with each other.However,it is in the process of mutual communication and collision that the complex relationship of interdependence and internal unity of Chinese art criticism in the post-new period is formed.This thesis mainly discusses from the following aspects.First,the research background,significance,content and current situation of this paper are briefly discussed and analyzed,so as to provide certain theoretical basis and practical conditions for the research of this paper.Second,it discusses the art criticism context of "national discourse debate" in the post-new period,including the exile of marketeconomy and humanistic art ideals,the post-colonial criticism context and national image thesis,the awakening of national consciousness caused by globalization,and the pluralistic "discourse" era.Third,from "retro","wholesale westernization" and "fusion of Chinese and western" three factions value standpoint,to the problem of "national discourse debate",mainly related to the main body of Chinese music culture reconstruction and modernization: "to seek help from western" way out,the fusion of Chinese and western in the middle of the road three aspects of content;Fourth,the study of the full text expounds systematically the induction and summary,expounds the meaning of the words "national debate" in the new period after the enlightenment,respectively from the construction of artistic discourse to the construction of national discourse,and from the artistic consciousness to the cultural consciousness,this paper reveals the words "national debate" in the new period after the research of important value.