A Study On The Communication Of "The Handan Dream" And "The Nanke Dream"

Drama Communication has different characteristics in different times and becomes more and more complex with the enrichment of media,but text communication and performance communication run through the whole process of drama communication.This paper takes the texts and performances of "The Handan Dream" and "The Nanke Dream" as the research object,and according to their transmission characteristics,it is divided into three periods: Ming and Qing dynasties,republic of China period and after the founding of the People’s Republic of China.These three periods are not independent of each other,but are inherited from each other,they together constitute the communication history of "The Handan Dream" and "The Nanke Dream".In addition,a chapter is devoted to the discussion of the controversy over the ideas of "The Nanke Dream" in the process of its dissemination.In general,the article is divided into the following sections:In the first chapter analyzes the features and the causes of the spread of the texts of "The Handan Dream" and "The Nanke Dream" in the Ming and Qing dynasties from the perspectives of the complete version,the selected version and the commentary,and simply analyzes its influence on the later generations.During this period,the performance communication mainly investigated the characteristics and relations among the groups of artists,the changes and reasons of the content and form of communication.The second chapter takes Shenbao as the research center,collects the communication information related to the texts and performances of "The Handan Dream" and "The Nanke Dream",it is found that there are different forms of communication,such as drama news,drama advertisement,and the most recorded is the opera performance of "The Handan Dream" and "The Nanke Dream".At last,it discusses the factors that influenced the spread of "The Handan Dream" and "The Nanke Dream" from several different aspects.The third chapter mainly analyzes the characteristics of the text dissemination of "The Handan Dream" and "The Nanke Dream" after the founding of the People’s Republic of China from two aspects of the full version and the adapted version.The complete version of this period has an obvious inheritance relationship with the version of Ming and qing dynasties.The adapted version has created more possibilities for the text dissemination.The study of performance communication after the founding of the People’s Republic of China focuses on the inheritance and innovation of drama,singing and modern stage performance,and analyzes the factors restricting performance.The Fourth Chapter mainly narrates in the dissemination process each generation scholar to "The Handan Dream" and "The Nanke Dream" the theme diversification understanding,and in the comprehensive investigation author,the work and the time premise,put forward myself understanding of the theme of "The Handan Dream" and "The Nanke Dream"."The Handan Dream" and "The Nanke Dream" are representative dramatic works.Through sorting out their texts and performances from the Ming dynasty to the present,it is possible to find the general track of the dissemination of classical dramatic works,and then summarize the dissemination rules,so as to promote the dissemination of classical dramatic works in contemporary society.