Deterritorialization,Reterritorialization And Innovation

Folk art is an art that sprouted from the local society,created by laborers,and grew up between the countryside.Driven by the current wave of immigration,the cross-temporal flow of folk art has become extremely active,and its flow paths are usually "rural-urban" and "small town-metropolis".As a typical immigrant city,Shenzhen has a very strong cultural fluidity.After the reform and opening up,a large number of adventive folk arts poured in,and formed three stages in history: the Dispersion Period,the Development Period,the Innovation period,there is a certain ambiguity in the transition and connection between these stages,it is a state that foggy but regular.The flow of folk art is actually a process of "deterritorializing and then reterritorializing",and the laws of folk art itself make them adapt better in this process,rather than failing to adapt to them.The deterritorialization of folk art occurs under the combined action of subjective and objective multiple forces.During the process of deterritorialization,they are released from a certain time and space,and a series of reductions and losses of their original meanings follow.Therefore,it appears discrete in spatial distribution and individual structure,which also lays the foundation for subsequent re-domains.After the adventive folk art enters the urban context,it absorbs the local culture.Based on this,a series of adjustments and changes occur,and finally it adapts to or builds a new cultural ecology and forms a new social network.This process is called the reterritorialization of folk art.There are various forms of reterritorialization of Shenzhen’s foreign folk art,which are mainly divided into two aspects: individual selection and official dominance;and in the urban context,foreign folk art has explored reterritorialization strategies that have characteristics and commonality.Driven by the phenomenon of adaptation and transformation of folk art.The erratic phenomenon of contemporary folk art is irreversible.This is not only a historical law,but also a sense of survival of the folk art itself.In the city,the original rustic folk art has undergone a functional transformation and a value shift.They are both keen on innovation,but can’t escape the end of homogenization.For folk art,flow means tortuous development;for cities,these adventive folk arts enrich and complement the urban cultural system,which is of great significance to the flow of contemporary folk art.This study will take the process of the deterritorialization,reterritorialization and innovation of folk art as the narrative logic,and integrate the theory of cultural flow into the historical process of the survival and development of contemporary folk art.