| The Ming and Qing dynasties were the periods of summarization and reflection of Chinese classical poetics,and note-taking was an important form of the spread and research of ancient Chinese poetry.This thesis selects Gu Chen’s Annotation of Du Fu’s Poems in Pijiangyuan produced in the late Ming and early Qing Dynasty as the research object,and places it under the perspective of Chinese classical poetry annotation studies to analyze the annotation process,annotation system,art criticism,ideological elucidation,and annotation concepts,which explored the acceptance of Du Fu’s poetry at that time and gave a glimpse of the development of Du Fu’s poetics in the late Ming and early Qing dynasties.The first chapter studies the annotation process of Annotation of Du Fu’s Poems in Pijiangyuan.Combining the literature records,the annotator Gu Chen’s life is studied,and the family and communicative characteristics of Annotation of Du Fu’s Poems in Pijiangyuan are summarized in the annotation process.The second chapter studies the annotation system of Annotation of Du Fu’s Poems in Pijiangyuan.From several different aspects,such as collating text,chronology,tracing etymology,intensive reading of texts,appraisal of appraisal,and reading of works,combing the annotation practice in the book,combing the annotation system of the book.The third chapter studies the criticism and elucidation of Du Fu’s poetry art and thought in Annotation of Du Fu’s Poems in Pijiangyuan.This chapter analyzes the book’s overall cognition and specific criticism of Du Fu’s poetry methods,and summarizes the book’s elucidation of Du Fu’s ideological personality in terms of the loyal and patriotic scholars and the social ideal of being a family in the world.The fourth chapter studies the annotation concept of Annotation of Du Fu’s Poems in Pijiangyuan.Based on the analysis of the previous aspects,this chapter analyzes the book’s interpretation of Du Fu’s poetry with the concept of poetry history,and the author’s flexible and open commentary attitude. |