| The pursuit of beauty is the instinct and nature of human beings.Human beings have the idea of"decoration"since the primitive society.The ancestors will always do their best to make it more beautiful,whether it is the body or the objects around them.The decorative pattern is to use One of the"media"to express beauty.Chinese culture has a long history,and the decorative patterns that have been passed down since the Stone Age have been inherited and re-created by future generations.Today,we may have different views from previous generations.In this age of science and technology,we continue to merge and innovate the traditional culture passed down by the ancients,and then create a new cultural history.This is a process of continuous progress.In the animation industry,many artists are also doing their best to create.They use their own methods to pay tribute to their predecessors and look to the future.Exploring the reasons why Chinese mythological animation has unique artistic charm and analyzing the concrete expression of decorative patterns in mythical animation are the main issues to be studied in this thesis.This article elaborates the characteristics and development prospects of the mythical animation by explaining the concept and classification of the mythical theme animation.It also analyzes the artistic features and functions of decorative patterns,and summarizes the aesthetic changes of decorative patterns by pre-Qin and modern people.The aspect analyzes the specific application methods of decorative patterns in mythological animations,and discusses the inheritance and re-creation of traditional decorative patterns.In addition,it combines the excellent animations with strong decorative styles at home and abroad,and its own graduation design animation short film"The Emperor Girl’s Mulberry".",Specifically analyzes the application method of decorative patterns in animation creation,and provides new ideas and methods for the creation of Chinese mythological animation. |