An Analysis Of Folk Culture In Sichuan Tibetan Opera

As a representative cultural heritage and excellent ethnic culture and art,Tibetan opera embodies the unique features of the Tibetan in terms of value orientation,moral standards and behavioral characteristics.It has been created in the long-term production and living practice of the Tibetan people and has become a part of the excellent traditional Chinese culture.From the perspective of folk customs,this paper systematically sorts out folk customs in Sichuan Tibetan opera.On the one hand,it is necessary to dig deeply into the relationship between Tibetan opera and folk customs;on the other hand,it also provides new ideas for the inheritance and protection of Sichuan Tibetan opera.The main content of this paper is to explore the folk customs related to Sichuan Tibetan opera,including not only the performing customs of Tibetan opera,but also the folk customs reflecting the life and psychological form of the Tibetan in the plot of Tibetan opera.The first chapter is the introduction,which mainly introduces the background of the research on the subject of folk customs in Sichuan Tibetan opera,as well as the research status of this subject at home and abroad.The second chapter is about the emergence and main types of Sichuan Tibetan opera,which is mainly discussed from the two levels of the emergence,performance and manifestation of Sichuan Tibetan opera.The third chapter mainly introduces the material production and life folk customs of Sichuan Tibetan opera and Tibetan people.The material production folk customs include plateau animal husbandry folk customs and plateau agriculture folk customs,while the material life folk customs include costume folk customs,diet folk customs and residence folk customs.The fourth chapter discusses the life rites in Sichuan Tibetan opera.Some wedding,funeral and cults in Tibetan opera are the imitation of life rites in Tibetan society.The fifth chapter mainly explains the basic characteristics of Tibetan folk belief from the perspective of object,medium and manifestation of belief.The sixth chapter is about the construction of social relationship network in Sichuan Tibetan opera performance and inheritance field.There are so many folk elements in Tibetan opera,on the one hand,because it is deeply rooted in the history,culture,customs and practices of Tibetan society;On the other hand,Tibetan opera,as a kind of drama art that is both refined and popular,performs the real scenes of Tibetan life and production,ritual,entertainment and competition,which actually forms a transmission of experience and norms.Modern Tibetan opera performance,although it has declined in terms of norms and guidance for actual life,still represents the collective cultural memory of the Tibetan as an excellent folk art and culture.It should also keep pace with The Times and be better inherited with new features and forms.