On The Limits Of Reproduction In Documentary-Reflection On The Creation Of <Painters>

In recent years,documentary film and feature film have more integration in film style and creation mode.In order to pursue the real effect,feature film adopts documentary image style,using a large number of follow-up and shaking shots,similar to the domestic horror film "The possessed" and computer screen movies "Unfriended".The documentary also presents the common style and routine of feature films,such as storytelling,acting and so on,such as "A Bite of China","Masters In Forbidden City" and so on.This kind of documentary creation method has been widely recognized,and has won many awards in the world,and has been widely recognized by the market and audience.In this paper,the moving in the documentary is taken as the research object,and the research results of relevant experts and scholars in this field are summarized through the methods of literature research,case analysis and other scientific research methods.A large number of documentary films including the moving elements are observed,and the interview and sidelights behind are dug deeply.Combined with the creation perception of graduation works,the arrangement and mid-term shooting of the "plot" of the early moving are discussed The attention of photography and post-processing,refining the advantages of the performance,reflecting on the principles and boundaries of the performance,exploring the techniques of the performance for innovation.How should creators grasp the scope of application and material scale of the moving,and how to avoid the abuse of the moving,so as to make the film more artistic and commercial.