On The Presentation Of Chinese "Traditional Landscape Artistic Conception" In Oil Painting

The unique artistic conception of "things,me and one" in traditional Chinese aesthetics is the inherent advantage of Chinese artistic creation.The integration and innovation of traditional aesthetics and oil painting is also an inevitable way for the development of Chinese oil painting.And Chinese traditional landscape artistic conception as a highly unified sentiment and scene,can instantly in a particular environment touches the soul of aesthetic feelings,the authors on the basis of traditional aesthetics applied to the oil painting creation can not only form individual distinctive artistic style,as well as the inheritance and development of traditional Chinese aesthetics,is an integration of eastern and western oil painting development innovation.This kind of creation combines the emotion and image in the picture to form a kind of meaning,interest and style.In oil paintings,through the experience and perception of the image itself,various techniques of expression are used to present the spiritual world of scene blending,and at the same time,the effect on the viewer makes it generate infinite reverie into the spiritual world of "the words are complete,and the meaning is infinite".The improvement of artistic creation level is not accomplished overnight,but a long process of osmosis.But in the present moment quickly the great transformation of Chinese society,Chinese modern oil painting art should not be as popular culture popularization of illustrations,and more than is a tool for human desires catharsis,more should be combined with traditional Chinese poetic artistic pursuit of aesthetic context,combined with the oil painting itself inherent material properties,creating artistic conception beauty of emotional expression and aesthetic performance the new image of unity.