On The Narrative Ethics Of Shi Yifeng’s Novels

Shi Yifeng’s early works,such as the fruit under the red flag and his love for sound and electricity,are aimed at readers.The writing context of “post-youth” implies the deconstruction of traditional ethics by avant-garde literature under the grand narrative of the country.Since 2014,“the World Has no Chen Jinfang”,“the Eye of the Earth”and “the Mind of WaiShi” works published in succession,such as its style of traditional realism writing style,focus on “what and how to write”,return to the secular life,wrote a little story,under the new ideology for “Chinese story”,“Chinese experience” provided new opportunities and possibilities.This paper is composed of three parts: introduction,body and conclusion.The introduction clarifies and defines the relevant concepts of narrative ethics,so as to conclude the feasibility of narrative ethics theory combined with narratology and ethics,as well as the textual research and analysis of the text from the two aspects of narrative ethics and narrative ethics.The first chapter discusses the text types of Shi Yifeng’s novels from the perspective of story ethics: individual free ethics and intellectual ethics.The second chapter,from the perspective of narrative ethics,mainly describes the human relations effect of Shi Yifeng’s narrative discourse in the novel from the perspective of irony of the first person and intertextual writing.The third chapter mainly focuses on the author’s writing position of traditional realism after the transformation,and attempts to analyze the author’s humanistic care and self-writing consciousness behind the narrative ethics writing through the author’s interpretation of such ethical issues as survival and morality.