The Representative Of Hollywood Author’s Movies

In the 1950 s,Truff and Bazin of the French "Handbook of Film" began to propose and talk about "author strategy",which laid the foundation for the formation of the "author theory" of the film.In the 1960 s,the "author strategy" film criticism theory was transformed and developed by the United States and Britain,and finally formed Andrew Sarris’ "author theory" and Peter Warren’s "structural author theory".During the new wave of France,film writers represented by Godard and Truff were opposed to the "rigid" state in the past films,emphasized the director’s individual creative consciousness and personality,and reflected his personal style through his own film works.Your own unique personal "imprint".Christopher Nolan is a ghost favored by the box office,but his films don’t seem to be as Hollywood.For Mally,he broke through the limitation of "type",shattered,spliced,and mixed types,and used them for him.In terms of content,he constructs the world,explores profound philosophies,and displays the inner world of people,which is unique in Hollywood commercial movies.Both authorship and commerciality are the unique characteristics of Christopher Nolan’s films that are different from other Hollywood directors and are invincible in the film industry.Therefore,his film is destined to be a high standard and a box office win-win situation.The research work carried out in this paper has four aspects.First of all,it summarizes the previous research results,and concludes that The Nolan film pedigree is the transformation and renewal of Hollywood thinking.This paper discusses Nolan’s individual experience and creative practice as well as Nolan’s revival of film value.Secondly,it discusses the history of the French New Wave and the context of the author’s films.A detailed analysis of Nolan’s films and a summary of the author’s film characteristics.Nolan’s films have their own unique stamp,but he makes them for the market and the audience.Therefore,his films have the characteristics of Hollywood type films,namely the commercial nature.Then it analyzes the type stipulation and the opening in the Hollywood traditional film.Nolan’s inheritance and challenge to the genre.In the end,it concludes that Nolan’s films are the transformation of genres and the adherence to the author’s films.