Underground Landscape And Image Narrative

With the comprehensive development of global city construction and the increasingly perfect subway transportation system,subway functions and structural layouts have shown new changes,and they have gradually become one of the standards for measuring the modernization of a city.The importance of the overall visual image construction of subway stations has also been given New needs.In addition to meeting the basic transportation needs of passengers,the subway station is also combined with urban space and cultural memory.It has become an important carrier for a city to promote regional special culture,spiritual civilization and urban memory space reproduction,and it is also a manifestation of a city’s spiritual civilization.This study attempts to discuss what kind of Beijing historical culture and urban space memory space are reproduced by the image symbols in subway stations? How is the urban memory space reproduced and produced with the help of image symbols? How does meaning enter the image expression? How do passengers interpret these image symbols,and what are the reasons that affect the interpretation?On this basis,after an overall grasp of the memory elements and characteristics of Beijing ’s urban culture,according to the three characteristics of Beijing ’s urban culture:the royal culture,the bureaucratic culture,and the city culture,the corresponding No.5 line exchanges were selected respectively.Taking the station Yonghegong Station,Hufang Bridge on Line 7 and Tianqiao Station on the southern section of Line 8 as the research object of this paper,the memory of the subway station is analyzed with the help of image narrative and space production theory.And from two aspects of the subway station as the viewed object and the passenger as the viewing subject,the subject inquiries and influencing factors of Beijing urban culture in the subway station landscape are investigated.In this study,first of all,the reproduction of urban memory elements in the Beijing subway station is a rough summary.Secondly,the image narrative theory is used to analyze the direct meaning of the visual symbols in the subway station landscape,and then the implicit meaning and spatial production of the image narrative are used.Theory,investigate the spatial production in the underground landscape,and finally investigate the interpretation and identification of symbolic elements by subway passengers through interviews.The study found that: 1.Beijing subway station mainly integrates traditional architecture,historical environment,and unforgettable artistic elements in urban memory into the construction of subway stations through three dimensions: time,space,and culture.Make the subway station an underground landscape that reproduces the memory space of the city;Second,the subway station as the stared object,through the spatial reproduction of the subway station name and imagery images,diachronic images,and synchronic images,shows the royal culture and the bureaucrat.Beijing’s historical culture characterized by culture and market culture;Third,Beijing ’s “Imperial city” urban memory is constructed in the underground landscape,reproducing Beijing’s modernization process from a single political space to a multiple urban memory space.These image symbols In practice,visual symbols and visual images are used to express the“material”needs of the masses through different cultural images.The subway station conveys urban culture to passengers while also conveying China’s political heritage from ancient times.Concepts and humanistic concepts are transmitted to passengers invisible;Of the passengers in the main body call,found that due to the different social environment of the main body,the passengers will have different interpretations of the image symbols in the subway,and the different attitudes of the calling group will affect the awakening and spirit of the urban memory The construction of homes.Because of the royal culture,bureaucratic culture,and market culture that appear in Beijing subway stations,they are presented to passengers from all directions in a context-free environment.Passengers from different regions see the Beijing subway station After the image symbols,there may be different cognitions,and the pictures and understanding that appear in their minds will also be different.