Research On The Expression Of "Brushwork" In Chinese Contemporary Oil Painting Figures

Based on art history as the breakthrough point,from multiple levels and multiple dimensions of stroke in Chinese painting development course,concrete action,analyses in certain people use different brushwork form,development characteristics,the cause of in-depth and comprehensive analysis of Chinese contemporary artist painting figures in the understanding of stroke and performance,thinking they form painting style of the external cause and internal cause and its influence on college students.By analyzing the development characteristics and specific functions of the characters in the works of the most representative painters,we can find out the development rules of the artists and the main forms of artistic expression,so as to reflect and understand what forms the artists adopt to embody the brushwork in their works.,the author thinks that,in the case of Chinese contemporary oil painting brushwork form and connotation of the works has more unique appearance,but also have high artistic value,is mainly due to the contemporary Chinese painter has a profound cultural background,unique aesthetic view,use of oil painting materials,painting tools show and describe their focus on objects,and then create a rich and full of texture in the picture marks,to expound its own artistic concept,value orientation,etc.Based on China’s more unique cultural background,whether in the oil painting material use,oil painting,oil painting material reading,or in terms of thinking mode,research method,there is a big difference between Chinese oil painters,and understanding of the subject matter of the attention also each are not identical,based on this,the Chinese oil painting form not only different from western figure brushwork painting language,but also with the difference between traditional Chinese figure painting language.Therefore,the emotional expression form and the overview of the image of Chinese oil painting follow the principle of taking its meaning rather than form,which is essentially a summary of the traditional aesthetic thought.The difference between materials forms different forms of artistic language and expression.Therefore,the key to inheriting the tradition lies in spiritualconnotation,rather than simple painting techniques and forms of expression.The form should not be completely restricted by the traditional thinking and concepts,but should be more fully and truly express the artistic emotions.Therefore,the brushstrokes of the figures in the works of Chinese oil painters are essentially a choice of the artists for the artistic beauty,and also the main embodiment of the value of the artistic works.