Virtual "Nuo Mi Po":A Study Of Folk Song Culture In Cyberspace

With the development of the society and the acceleration of the modernization process,the real field of folk songs-"Nuo Mi po" will face difficulties.It is not only reflected in the aging of the participants,the reduction of the number of participants,and even some of the singing fields have ceased to be used.At the same time,while "Nuo Mi Po" in the face of challenges,the development of informatization and the promotion of folk song fans have provided new development opportunities for it,especially since the media,such as QQ,We Chat will folk songs sung in the field of cyberspace,the information of virtual "Nuo Mi Po",folk song fans can through the cyberspace in the virtual "Nuo Mi Po" to achieve body is not present in the singing.This paper attempts to explore how the folk song culture shows its strong vitality in the context of the information age based on the realistic "Nuo Mi Po".It is mainly based on the cultural ecology in the theory of cultural change,and takes the field survey method,virtual ethnography and comparative research method as the main research methods.Firstly,discuss the regional ecology,development status,existing significance and dilemma of "Nuo Mi Po".Second,analyze the reasons for the rise of the virtual "Nuo Mi Po".Thirdly,the main behaviors in the virtual "Nuo Mi Po" and the characteristics of the folk song culture in it.Finally,it explores the driving force for the self-life of the folk song culture in the new era.Through the discussion of the folk song culture’s conscious adaptation to social changes.On the one hand,it shows that the folk song culture has gradually shrunk to a strong rebound force after the collision with the cyberspace in the face of various pressures.On the other hand,it can also develop through the folk song culture.To see how other national cultures or traditional cultures can develop themselves with the help of technology in the information age.