Three Partions In The Study Of Huang Tingjian’s Fu

In recent years,most of the academic research on Song Fu has been conducted from a comprehensive and macro perspective.In fact,the case studies of individual writers on Fu deserve further discussion.Huang Tingjian,the leader of the Jiangxi poetic school,has made remarkable literary achievements.As a part of the Northern Song Fu,his Fu should have its position in the study of Song Fu.There have been many studies on Huang Tingjian’ Fu in the academic world,but few have discussed Huang Tingjian’Fu in combination with the creative period.The research purpose of this topic is to make an in-depth and systematic study of Huang Tingjian’s works by the year of creation,and to fully understand Huang Tingjian’s artistic characteristics and value.From point to face,through an in-depth study of literary works such as "Fu",we can have a glimpse of Huang Tingjian’s ideological concepts and the characteristic style of literary creation.There are three major parts in this article:Huang Tingjian’s creative period,the selection of Hong Yan’s "Yuzhangji" fu volume and Huang Tingjian’s view on Fu and Huang Tingjian’s artistic characteristics.Huang Tingjian has 14 Fu in his present essay,most of them are written after four years of zhiping when he became a metropolitan graduate of the Ministry of Rites in feudal China.Among them,"Nei Ji",namely "Yuzhang Huang’s Anthology"(abbreviated as "Anthology")has ten Fu,"Wai Ji” has two Fu,and "Bie Ji" has two Fu.The " Anthology " is based on the "Yuzhang Collection" edited by Hong Yan.Huang Tingjian edited the idea of deleting the works that were young and with low artistic level,so that the collection of works show a high ancient style.It gets a better presentation in the "Yuzhang Collection"."Anthology" and "Bieji" are set at the top of the volume,containing both the author’s and the editor’s stylistic order.And the emergence of literary ideas in literary practice is also directly affected by politics.Huang Tingjian’s attitude and aesthetic pursuit to the writers on Fu are relatively clear.By exploring Ting Jian’s attitude towards different writers on Fu,it is notdifficult to see that he has an unique personal cognition of the function,style and pursuit of Fu.Fu’s creative theory,which is based on his specific creative practice,constitutes Huang Tingjian’s unique view of Fu.Huang Tingjian’s view on Fu is not only personal,but also contains unique cultural and political background in the Northern Song Dynasty.The writings written in different periods show the artistic characteristics of "harmony and difference" along with Huang Tingjian’s life."Harmony" lies in Huang Tingjian’s "unfavorable" aesthetic pursuits in his Fu.Under this pursuit,whether the selection of content subject or the structural system is unique.The "difference" lies in the aesthetic connotation of "unfavorable" changes with Huang Tingjian’s rise and fall in his life,the styles assigned to different periods are also slightly different.Huang Tingjian’s pursuit of emotional,aesthetic and content of Fu is based on the ancient Fu of the pre-Qin and Han Dynasties.Specifically,it attaches importance not only to the " morality and principle " of Fu,but also to the "style of character" of Fu;both the emotional function of Fu and the language style of Fu.While being lyrical,Fu has rich connotation and the content fits in the right way.Although it is far from being called "remove bad customs and set up the right orthodoxy",the ideological tendency is also in this way.In addition,Huang Tingjian’s thoughts have both the spirit and the perfect personality of Confucianism,and the transcendental customs of interpretation and Taoism.This makes Huang Tingjian’s Fu shows vigorous style,deep sense and profound charm.