Research On Rheology Of Image Of Lovebird

Lovebirds are an image of Chinese classical literature.Since the Song of Everlasting Sorrow in the Middle Tang Dynasty,"Wish to be a lovebird in the sky and a branch in the earth" is the starting point of secularization.The lovebirds are characterized by specific forms and contain the complexity of literary images.They have different meanings in different stages of ancient Chinese history.Its image and meaning are synchronic,diachronic and regional,and the objective social customs and meanings contained in it have considerable exploration and clarification value.Explore the origin of Bibi,study the evolution of its image,distinguish its internal content,semantics and evolution,and should pay attention to its secularization in later generations.The thesis starts from the following three aspects,and outlines the trajectory of the image of the winged bird: The first part explores the origin of the winged bird.In the pre-Qin classics such as Erya,Guanzi,Lu’s Spring and Autumn,and Shanhai Jing,the image of the lovebird has gradually evolved from the original imaginary mythical monster to the actual rare "foreign object".In this process from "virtual" to "real",as the "foreign body",the lovebirds follow the core features of mythology,and their images and semantics are constantly full.This evolution reflects to some extent the living conditions of the ancestors during this period.The second part is to analyze the evolution of the image of lovebirds.This can be considered in two directions: first,by actually examining the relationship between the four wings of the winged bird and the phoenix,long-tailed mountain pepper bird,commensal bird,and mandarin duck,we collected the exact evidence and analysis of the "physical" evolution of the winged bird in the classical literature.The possibility of the combination and transformation of its "physical objects";Second,by comparing the "foreign objects" and "blame signs" and "Wang Degaoyuan" of Wingbirds in Han Dynasty and before,the "friendship","love" and "sadness" of Wei and Jin,In the Tang Dynasty,the "love" in the Tang Dynasty was analyzed in three historical documents,and the meaning and particularity of the evolution of the "semantics" of the lovebirds in the three periods were analyzed,and the evolution was explored the reason from the perspective of the time background.The third part examines the secularization of lovebirds.The reason why the lovebirds have such a huge influence in later generations is mostly because of the prevalence of "Song of Hate" in the Tang Dynasty and its far-reaching influence in later generations.On the one hand,"TheSong of Everlasting Sorrow" expands the acceptance of the literary image "Beijing Bird" to the lower classes;on the other hand,"The Song of Everlasting Sorrow" promotes the stereotype of "Beaver Bird",which has always had multiple meanings,and promotes the creators to pursue new art expressions.