| The folklore in Zhang Chengzhi’s novels has always been praised.The writer’s going to the folk shows not only the traditional way of imitating the folk,but also the intention of caring for the folk from his own situation.Therefore,the interpretation of the folk in his novels should involve many levels.This paper takes Zhang Chengzhi’s novels as the research object,from three angles of human consciousness,local consciousness and personal consciousness,combined with his personal cultural background,uses the methods of myth archetype criticism,folk archetype criticism and personality interpretation to investigate the different connotations and characteristics of Zhang Chengzhi’s folk writing,so as to reveal the rich background of Zhang Chengzhi’s novels.The thesis is divided into three parts: introduction,body and conclusion.In the introduction part,the author first expounds the source of the topic,then introduces the research situation of Zhang Chengzhi’s literary works,starting from the prototype theory and the concept of "folk",and introduces the prototype research of the folk elements in Zhang Chengzhi’s novels.This paper discusses the feasibility of this paper through the academic consideration of the generality and individuality in Zhang Chengzhi’s folk writing.Finally,the research ideas,contents and methods are described.The first chapter starts from the mythological archetype in Zhang Chengzhi’s novels to interpret the deep connotation of the writer as a "folk foster son".When Zhang Chengzhi expresses the northwest folk culture that he knows well,he is immersed in the broad "collective unconsciousness".Therefore,his novels portray the common folk,which depends on the common image of human beings.This part focuses on the analysis of the mother archetype of his folk writing Through the interpretation of the mythological archetypes,we can find that these archetypes appear in the text with the author’s personal feelings or hidden or in the field.Obviously,these folk archetypes are the starting point for the interpretation of Zhang Chengzhi’s novels.The second chapter introduces the method of folk archetypal criticism on the basis of reflecting on the defects of folk interpretation of the myth archetypal criticism,and places Zhang Chengzhi’s folk writing in the local cultural environment for investigation,focusing on the analysis of the invisible structural relationship between the archetypal "Peach Blossom Garden" in his "golden pasture" and the folk story,the transformation strategy between Zhang Chengzhi’s novel and "animal gratitude story",and Zhang Chengzhi’s direct borrowing of folk texts in folk writing.With a strong folk plot,Zhang Chengzhi’s creation is connected with the most solid cultural concept of the localized folk.He actively explores the structure,form and content to make these legends,stories and ballads more contemporary value.The third chapter analyzes the individual elements of Zhang Chengzhi’s folk writing.Firstly,it interprets the text combining the "humanistic spirit" pursued by the writer and the critical consciousness of reflection embodied in the folk.Secondly,it excavates the romanticism and idealism given by the writer to the folk.Thirdly,it analyzes the rhetorical beauty of Zhang Chengzhi’s folk writing.When Zhang Chengzhi uses Folk Imagination to compose the text,there is no lack of personal imagination of the folk.The literary temperament of his folk writing is to write individualized romance in a free and transcendent style on the basis of respecting the folk,so the folk society in his works is more free and harmonious.The conclusion thinks that the interpretation of Zhang Chengzhi’s novels should be based on the divergent vision to think about the archetypal background and personality characteristics in the folk writing,so as to avoid losing the rich connotation in the text.Based on this,to think about archetypal criticism,the critical vision of a writer should at least include myth archetypal,folk archetypal and personal imagination of folk. |
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