The Role Transformation And Cultural Consciousness Of The Inherit Or Of Nuo Face Carving Technique Of Maonan

The Maonan,as the aboriginal and young people of Guangxi,has its own unique cultural charm.The most notable is the Nuo mask of the Maonan.The Nuo masks of the Maonan ethnic group represent the faces of gods in the Nuo culture of the Maonan ethnic group.These masks have different shapes,diverse forms,colorful colors,kind and funny expressions,and fierce and evil spirits;the specifications vary in size,up to one meter long There are also as small as ten centimeters;the huge difference in mask shape and specifications test the skill of Nuo mask sculptor.As the Nuo noodles of the Maonan ethnic group are known and recognized by more and more people,the Nuo noodles of the Mao Nan ethnic group have been included in the list of intangible cultural heritage;Tan Jianxin is the only two officially-inherited successors of Nuomen carving art in Huanjiang Maonan Autonomous County.With the development of the times,the country pays more and more attention to the protection and inheritance of intangible cultural heritage.The fundamental feature of the intangible cultural heritage is inherited through oral teaching,which is an intangible,human-based cultural style.Its core lies in passing on from generation to generation.In the non-genetic inheritance work,non-heritage protection inheritors who shoulder important missions and play a key role receive much attention.The inheritors of Maonan Nuomen’s carving techniques play the carrier and carrier of precious knowledge and superb technology of intangible cultural heritage in Nuomen’s cultural communication and publicity.How to more effectively formulate the inheritance protection mechanism of the inheritors,and can promote the inheritors’ own knowledge and understanding of the intangible cultural heritage,and then rescue the precious cultural heritage from the endangered and extinct situation of death and art To achieve ethnic rejuvenation and promote cultural multi-symbiosis is the original intention of this article.This article consists of three parts: introduction,body and conclusion.In the introduction,the content is: the reason for selecting the topic,the research significance,the innovation points,the key points and the difficulties,and the research methods in this article;a brief combing of the current research on the non-exorcising noodles,and at the same time,reviewing the predecessors to Guangxi non-genetic inheritors Research.The text consists of five parts.The first chapter is the basic situation of the natural geographical environment,historical evolution,current population profile,economic life and religious customs of the Huanjiang Maonan Autonomous County.The second chapter is divided into three parts.The first part elaborates the historical records of the Nuo face of the Maonan Nuo in Huanjiang.Artistic value.Nuo masks play an important role in the “Mao Nan Fei Tao”.The second part focuses on the “Mao Nan Fei Tao” sacrificial activities popular in the Maonan ethnic folk,in order to better understand the important position of the Mao Nan Nuo noodles in the Maonan Nuo culture;To further enhance the overall understanding of Nuo masks,the third part introduces Nuo music and costumes in Nuo culture.The third chapter is centered on Fang Wenzhan and Tan Jianxin,the inheritors of Nuo face carving techniques,and explains the current number and development status of Nuo face use inheritors of Maonan and those responsible for performing Nuo face carving,and combs the history of carving inheritors Inheritance and contemporary training courses and access to campus and other inheritance methods.Chapter 4 takes Nanchangtun,Zhongnan Village,Xianan Township and Dahetun,Jiangkou Village,Luoyang Township as the main investigation points of the place where the mao Nuo carving techniques of the Maonan people are located,and visits the Maonan scholar Meng Guorong by visiting the relevant cultural departments of Huanjiang Maonan Autonomous County,Qin Zikun and others pointed out the reasons for the development of Nuomen carving art inheritors: insufficient legal protection,shortage of funds,unclear self-identity of the inheritors,weak social identity,less opportunities for inheritors to study,study and training,and inadequate supervision mechanisms for relevant cultural departments Wait.Chapter 5 proposes feasible countermeasures to the existing problems of Nuo inheritors.In the aspect of inheritors,first,the inheritors themselves need to strengthen their understanding and interpretation of the Nuo culture of their own country,and secondly,they need to improve their self-identity.In other aspects,Nuo The regulations for the protection of face-to-face inheritors.The second is that inheritors should be supported and recognized by the society.The third is that colleges,governments and enterprises should jointly strengthen the training and training of Nuo-faced inheritors.The fourth is that relevant cultural departments should strictly implement the supervision of Nuo-faced inheritors.mechanism.The conclusion part summarizes the full text.The protection and development of the Nuo mask carving technique of the Maonan people requires the Nuo face carving technique inheritors to clarify their responsibilities and obligations in the process of cultural inheritance,have a clear understanding of the role of the self,and have a certain sense of the ethnic culture.