Research On The Naming Of Opera In Ming Dynasty

Every generation has its literature in the history,and the opera in the Ming Dynasty occupies a large section of the history of Chinese literature with a mature and prosperous posture,reflecting the characteristics of the times of the opera.This essay attempts to classify the naming of Ming opera,through which explore the naming methods of Ming opera,interpret the naming characteristics of different opera systems,and perform a survey on the natural relationship between the naming of opera and the development of opera.The research is not only based on the macro background of social culture in Ming Dynasty,but also reveals the relationship between the phenomenon of commercial publishing,the culture of citizens and the acceptance psychology of the audience,the perspective of the playwright in Ming Dynasty and the development of the voice of the Southern Opera and the naming of the opera.The research on the naming of opera in Ming Dynasty mainly contains the following sections:The first chapter introduces the concept analysis and scope of the research on the naming of opera,and introduces the current research situation and its shortcomings in the academic circles.The second chapter includes two parts: Ming Zaju,Ming Legend and Southern Opera.And will classify and analyze their naming structure.As Southern opera and legend have convergence,they are listed as one section.The third chapter takes the naming of the selected opera in the Ming Dynasty as the core,and interprets the naming of the selected opera from three perspectives: the awareness of respecting,the awareness of distinguishing and the development and dissemination of the opera in the Ming Dynasty.The fourth chapter discusses the characteristics of Ming opera naming.Through the analysis of Ming zaju,Ming legend and the naming of southern opera,this essay summarizes its characters such as metaphor,generality and periodical.The fifth chapter takes the important factors that influence the Ming Dynasty opera naming as the key point,analyzing the relation between the opera naming and several influential factors such as the competitive phenomenon and naming chaos under commercial publication,the influence of civil culture and civil aesthetic acceptance on the naming of opera,the connection between the view of opera and naming in Ming Dynasty.Finally,it discusses the institutional factors and the naming under the influence of classical opera works.The naming of several opera styles in Ming Dynasty has its similarities and individualities.This essay aims to give a full interpretation of the naming,hoping to restore its overall state.