A Study On The Aesthetic Innovation Of Shi Zhecun’S Creation In 1930s

Shi Zhecun is one of the core writer of the Chinese modernism literary ethos.His creation has opened up one kind of modality for the Chinese literary world,infiltrating the aesthetic spirit which is combined with tradition and modernism,and his unique aesthetic partiality of sensibility for life could also be manifested.His aesthetic innovation is constantly overflowing with his sensibility in a dynamic way of mutual infiltration of the writer,texts,readers and the culture,could interact.He pursues ideal that respects the literature ontology and cares about modern literature development future.Furthermore,he attaches importance to individual life sensibility and the perceptual experiences between the lines.The dissertation is composed by four parts:The first part focuses on meaning and idea of Shi Zhecun’s aesthetic innovation in the process of creation.The meaning and idea constitute the basis of taking aesthetic as strategy to carry out a literary innovation.Though he didn’t study abroad,he unconsciously kept contacting with traditional aesthetics and the classical contents,together with the literary ethos around the world are used as modernity resources of developing independent creation and pursuing independent aesthetics.He pursues newfangled aesthetic style and moderates consciousness of academism,in abstract independence and destructive vanguard as a starting point for creating.The second part is examines the internal essence of aesthetic innovation embodied in Shi Zhecun’s creation from the perspective of aesthetic.With the brimming with sensibility,he concentrates on the expression of memory,feeling,lust and ecstasy of individual life.And there are four aesthetic objects are collected for observation,which are historic villages in south-east China,the collections,the body and the confusing phenomenon.It is revealed that the aesthetic objects are entrusted with different literary meanings and subjective values.Some aesthetic objects are far away from the currency system and showing non utilitarian tendency,and some objects express liberal and authentic life instinct,while others convey the inner reaction and ecstasy.The third part is focused on aesthetic ways to continue to reveal the essence of aesthetic innovation in Shi Zhecun’s creation.The appearance of life sensibility is regarded as his aesthetic way in content to show life sensibility,which mainly include attaching importance of life feeling,keeping the inner salvation and realizing the game life.Shi Zhecun embeds poetry and psychology into literature in the coexistence of content and form,it is not only a symbolic expression method,but also a record of life thinking and deep meaning.The fourth part analyzes the value of aesthetic innovation in Shi Zhecun’s creation.Due to his dissatisfaction with the inflexible literary style at that time,Shi Zhecun took aesthetic innovation as a strategy to try to change the current situation.However,he must follow a certain literary organization and production regulation.His creation expresses implicitly the contradiction between "conflict" and "loyalty".On the one side,the texts convey sensibility experience of the modern culture.On the other side,it is supplemented by the audience and cultural background,which is full of the power of reflection and redemption for the aesthetic culture.