A Discourse Study Of "China Story" In Literary Theory And Criticism

As a very important contemporary hot theory,"China story" is closely related to contemporary Chinese literary practice.It can be said that it is the prosperity of relevant literary practice that promotes the emergence,development and prosperity of theoretical discourse and critical practice of "China story".This paper answers the basic question of "what is a Chinese story" from three aspects of its literary practice,theoretical discourse and critical practice.In the end,the paper returns to the realistic foothold of "how to tell Chinese stories well",emphasizes the purpose and criteria of its telling,and responds to the realistic questions of "why Chinese stories are China"and "where literature and art are going".To be specific,firstly,this paper starts from the literary practice of "China story",and on the basis of examining the new dilemmas and new representations of contemporary Chinese literary practice,it concludes that there is a kind of "Chinese stories" self-consciously writing complex.It can be said that it is the emergence of such a conscious complex that the subsequent literature and art policies,theoretical discourse and critical practice can develop and flourish rapidly.Secondly,this paper makes an in-depth study of the theoretical discourse of "China story" and divides it into three stages:gestation period(1978-1999),development period(1999-2012)and prosperity period(2012-present).In terms of content,this paper also summarizes the representative scholars and the focus of debate after the formation of his theory,Outlines his general theoretical outlook on this basis,and reveals the construction significance of his discourse.Thirdly,this paper starts from the critical dimension of "China story" and concludes that the current critical practice of "China story" tends to present different critical characteristics in the face of literary and artistic works in different periods by analyzing relevant critical practices.Through the investigation of these theoretical emphases and focal issues,it can be concluded that this critical dimension of "China story" is actually the product of Chinese discourse consciousness in the practice of contemporary literary criticism.Finally,this paper summarizes and reflects on the interaction and tension among the literary practice,theoretical discourse and critical practice of "China story".There is no doubt that the sorting and summarizing work of this paper has a certain guiding significance to the problem of "telling Chinese stories well",and may also provide some enlightenment to solve the dilemma of contemporary literature and art,explore the future of literature and art and even larger issues such as the construction of culture and society.