Research On The Ethical Narrative Of Fictions In Ming Dynasty

In this paper,’Three volumes of words’ ’Two volumes of slapping’ and other Ming Dynasty onomatopoeia representative as the research object,investigation and analysis of its ethical narrative.The discussion mainly focuses on ethical relations such as monarch and minister,father and son,brother,husband and wife,and friends.The introduction part,explain the research object and method,combing the research status,so as to highlight the significance of the topic.The first chapter summarizes the social ethical reality of Ming Dynasty,and tries to restore the historical context of the ethical narration of parody in the process of comprehensive consideration of official ideology and market morality.The second chapter discusses the ethical narrative of monarch and minister.Take’loyalty’ as the core category.It points out that the writing of the monarch and minister’s ethics in the pseudo-text is mainly carried out from two directions:One is to depict the negative model of ’faint monarch and tricky minister’ and guide readers to criticize ethics.The other is to shape the positive model of ’wise monarch and virtuous courtier’,so as to express positive political ideals.At the same time,the narrators of the parody often used historical examples to reflect the political rule of the late Ming Dynasty.The third chapter discusses the father-son ethical narrative of the parody.Take ’filial piety’ as the core category.Firstly,it points out that two plot patterns are constructed with the help of ’moral dilemma’,namely ’serving relatives’ and ’seeking relatives’ to shape the image of filial son.Secondly,from the perspective of the absence of parental discourse authority,the shaping of the image of inverse is discussed.The fourth chapter discusses the ethical narrative of brothers.Firstly,it discusses the construction of the ideal relationship of ’Brothers,Friends and Congratulations’.By shaping idealized models,it emphasizes the importance of establishing and maintaining discourse order in peer kinship.The plot modules such as parents ’absence,property disputes and relatives’ persecution are often seen in the ethical narrative of brothers.The fifth chapter discusses the ethical narration of husband and wife.First of all,this paper discusses the conventional plot mode of ’couple separation’,especially with the help of war writing and disease writing to construct the positive moral model of ’husband and wife’.Secondly,it discusses the conventional plot pattern of ’husband and wife’s demoralization,and examines what attempts and efforts have been made in the process of affirming human desire and maintaining family ethics.Finally,this paper discusses the influence of concubines in the relationship between husband and wife,and points out that the two functions of this kind of image:one is to be shaped into a typical extreme,and assume the role of the practice of ’observance’ plot;The other is to play a routine role in the disorder of family ethics(especially marital harmony)order.The sixth chapter discusses the ethical narration of friends in the parody.It points out that in the two-way interaction between elite morality and market morality,the stereotyped(even deformed)presentation of friend ethics is completed through the shaping of extreme images.