Musical Analyzation And Interpretation Of Poulenc "Improvisation" No.6-10

Francis Poulenc(1899-1963)is a famous French composer and pianist in the 20 th century,one of the members of the French "Group of Six".His creation involves a wide range of fields,among which Iimpromptu" is a work that he uses the music genre of the romantic period to create,including 15 pieces of music.The creation lasted 27 years,which is divided into three stages.This paper selects 6-10 of them,starting from Planck’s life experience and the creative background of impromptu,based on the creative characteristics and music style,combines the musical structure and music material analysis,and then focuses on the performance skills of impromptu 6-10,aiming to provide some help and reference for better performance and teaching.This paper is divided into five parts: the introduction introduces the reason and significance of the topic,research status,content and methods;The first chapter introduces the background of Planck and impromptu;The second chapter analyzes the selected 6-10 works one by one,focusing on the analysis of musical structure,material layout and harmony;The third chapter is on the basis of the previous chapter,further analysis of the five works from the key touch,syntax,pedal three aspects of interpretation one by one;The conclusion is to summarize the analysis of the full text,and put forward reflection and prospect.The author hopes that through the analysis and interpretation of the musical ontists of Poulenc "Improvisation" —No.6-10,he can get a deeper level of "Improvisation",and hopes that in future theoretical research and performance practice,Planck’s works will attract more attention from domestic music theorists,and also hope to hear Poulenc’s piano works in more concerts.