Research On The Artistic Conception Expression Of Nostalgia Documentary

Artistic conception is the core category of Chinese traditional aesthetics.It is a unified artistic realm created by the integration of subjective sentiments and objective things in art works.Since ancient times,Chinese artists have used artistic conception as the highest level of artistic expression.Their unique artistic,philosophical,and aesthetic views have also become the main factors that distinguish Chinese culture from Western artistic works.Homesickness is a cultural psychology shared by Chinese people since ancient times.In the present era,it has developed into a spiritual carrier that transcends the narrow subjective psychology and integrates family and national feelings with cultural foundations.In recent years,nostalgic documentaries such as "Leaving Homesickness","Great Villages",and "Where do the Guests Come from" have emerged one after another,which have outstanding significance in enhancing the connotation of rural culture and forming a benign rural cultural ecology.This thesis is based on such a premise,through literature research,case analysis,creative practice and other scientific research methods,using artistic conception as a methodological basis to explore the function and role of artistic conception in nostalgic documentaries,aiming to promote nostalgic documentaries in culture The process of expression is more in line with people’s aesthetic expectations,and it plays a more important role in activating collective memory and redefining the dimension of the relationship between man and nature.This paper is divided into four parts.The first chapter first discusses and clarifies the core concept of "homesickness",and studies the evolution and era characteristics of "homesickness" in nostalgic documentaries from the perspective of era and development,and how to use audiovisual narrative techniques to make non-fictional Artistic expression in video mode.Next,it explains the core connotation of artistic conception,studies the use of nostalgia-themed documentaries to express the four basic elements of artistic conception,"emotion","scene","thing",and "meaning",and discusses the "scene layer" and "intention" of artistic conception.The feasibility of organic combination of "like outer layer" and "form layer".Finally,it focuses on the necessity of combining the expression of artistic conception with the creation of nostalgic documentary films from three perspectives: the transformation of social discourse,the inheritance of national cultural memory,and the aesthetic pursuit of artistic works.It emphasizes the key role of nostalgia-themed documentary artistic conception expression in cultural dissemination and inheritance of national memory.The second chapter focuses on the path guidance of artistic conception as the highest aesthetic standard of Chinese traditional art in the aesthetic construction of nostalgic documentary films.Artistic conception includes aesthetic techniques such as the blending of scenes,empathy with the image,and the coexistence of virtuality and reality,which can generate rich imagination,stimulate aesthetic appeals,and create a special and highly appealing atmosphere.In order to reveal the whole theme of a nostalgic documentary,a clear creative path is needed.Therefore,this chapter focuses on the selection of landscape photography,shaping the poetic space of nostalgia through the aesthetic technique of blending scenes,and finding a path to the cultural support of the nostalgic space.In constructing the nostalgia symbol carrier,through the aesthetic technique of "empathizing with the image",the emotional connection and spiritual resonance with the audience are put into the path of objects and non-material forms.And the use of "virtual and real" aesthetics to create a discourse system for the artistic conception of nostalgic documentaries,establish an Issel-like calling structure,and trigger the audience’s artistic association path.The third chapter mainly discusses the expression of artistic conception in visual elements from the two dimensions of time and space.From the perspective of spatial presentation,the selection of sceneries can be limited and infinite.The long-term shots have a broad and vast magnificence.The close-up shots have the emotional direct attack of seeing the subtle and the subtle.The picture in the frame has both the pointing ideology and the styling ideology,which evokes It is the aesthetic expectation of the audience.In addition,the presentation of light and shadow is the unity of emotion and atmosphere,and is a channel to the audience’s subconscious,which can directly induce emotions and feelings.Spatial rhythm is a direct external display of sports beauty and rhythm beauty.The structural blank is the subtle collocation of "hiding" and "lu",which triggers the audience’s rich aesthetic re-creation with ethereal beauty.From the perspective of time presentation,light and shadow and montage endow the art of film and television with temporal attributes.Light and shadow induce the audience’s subconsciousness,while montage constructs the foreshadowing,accumulation,climax and aftertaste of the emotions in the documentary.The fourth chapter mainly discusses the artistic conception expression on the auditory elements.One is the rendering of musical images,and the other is the creation of soundscapes.Sound is the key puzzle for the completeness of the nostalgic space.It can bridge the gap between the viewer’s gaze and the gaze object through the "embodiment" of sound,so that the time and space of nostalgia can be used in the entire creative process.Become alive.The creation of musical imagery requires the formation of artistic synesthesia by awakening the five senses of the audience,and achieving the "synthesis" of "writing feelings by feeling" in the creation of atmosphere.It also requires the adjustment of the rhythm of music to form a poetic style in the form of abstract freehand brushwork.supplement.The sound landscape requires the combination of logo and signal sounds to form an original ecological sound system,which is transformed into an ecological field carrying various images in the auditory environment.Arouse inner feelings and achieve "things and me two forget".This thesis is based on documentary documentary creation theory and aesthetic theory of artistic conception,combined with many outstanding nostalgic themes and personal creative practice,to study how nostalgic documentaries express the artistic conception.This research will focus on the creative path of nostalgic theme and artistic conception,and organically combine the "feeling","scene","thing" and "meaning" in the documentary to convey the national culture in the creation of the artistic conception.Spirit,highlights the cultural characteristics of the Chinese nation,and provides useful enlightenment to the creation and practice of my country’s nostalgic documentaries.