The "Three-stage" Structure Design Of Adventure Film

In the more than 100 years of the development of film art,the narrative techniques of plot-based feature films have gradually formed several more mature drama format.Among them,the construction,confrontation and the outcome of the three-phase structure have been widely recognized and accepted.This paper focuses on the three-stage structure design of adventure films.By combining the original script Seeking the Way and other excellent film and television works,this paper focuses on the three-part strudion design of adventure films,starting respecting with the three parta of construction,confrontation and ending,and anylyse the creation mode and innovative ideas of the adventure film scrip.It also involves a small amount of the analysis of the internal structure and dramatic composition of the story.The introduction part,starting with the creation background and ideas of the story,combing with the creation process of the story,that is,from the description of the story scene,the choice of the place where the story takes place,the establishment of the protagonist and theme to the setting of supporting roles,and finally forms the primary context of the story.After that,the design of "three-stage" structure of adventure film is described.First of all,in the stage of script construction,the contradiction between the identity and the behavior of the characters is expressed,and the incentive events are created to arouse the characters’ desire.Through the performance of the action and the incentive events,the character image are quickly established and the background of the story is explained,in order to establish the audience’s empathy psychological mechanism.Secondly,it analyzes the common strategies of plot setting in the stage of confrontation,showing the significance and role of "hook" effect,"dramatic conflict" and "suspense information" in the narrative process.Finally,it discusses the character defects of the ending part of the story and the deepening and sublimation of the true and false ending on the audience’s emotion and the theme of the story.