The Singing Training And Research Of Coloratura Soprano ——A Case Study Of "The Spring Moonlight" And "The Villanelle"

The coloratura singing method belongs to Bel Canto.Its origin can be traced back to Italy in the 16 th century.For a long time,it has been loved by many audiences because of its unique artistic charm,light and happy voice characteristics.Especially in the 19 th century,under the creation of opera composers Rossini and Bellini,a large number of decorative and gorgeous coloratura singing were added to the arias,which made the coloratura singing at that time develop rapidly and reach the climax.Since this singing method was introduced into China in the 20 th century,it has also developed rapidly with the reference and integration of Chinese art songs.In creation,the composer not only retained the original Chinese national characteristics but also integrated western creative techniques into them,which is not only refreshing but also a pioneer in the current singing form.This paper focuses on training the coloratura soprano,the two songs “The Spring Moonlight” and “The Villanelle” as examples,analyzes the differences between Chinese and foreign the coloratura soprano in creative style and singing style from the works.First of all,the overall situation of the Chinese and Western coloratura soprano is combed.Secondly,analyze the lyrics,melody,piano accompaniment,musical structure,and creative style of the two songs.Then,explain the two most important aspects of the coloratura soprano,"deep breathing and high position",the requirements of ancient poetry and French vocalization,through examples to train the two aspects of the vocal training songs,combined with the song to study the difficulties of the coloratura soprano singing.Finally,through my own feeling and understanding of the practice of these two works,it reflects some problems of people’s singing of coloratura works at present.This paper will also express my own opinions on these phenomena.