A Study Of Sheng Music Aria In Modern Pecking Opera

Peking opera is the largest branch of Chinese opera,and it can be called the quintessence of our country.Peking Opera Shengqiang music is an important part of Peking Opera musical art.It has undergone more than two hundred years of evolution and development.From the "top three masters" and "the last three masters" to the "model operas" of Peking opera,the art of singing voices has gained a lot.It has become the focus and research of the masses and many scholars.The full text takes the Shengqiang music of Peking Opera "model opera" as the research object,and is divided into four chapters.The first chapter discusses the development of Peking Opera Shengqiang music.On the one hand,it summarizes the formation process of Peking opera and the musical phenomenon of Shengqiang division;on the other hand,it expounds the development of Shengqiang in traditional operas and modern operas.The second chapter discusses the micro-change and innovation part of Shengqiang music based on programmatic factors.Through comparison with traditional Peking opera,it mainly analyzes the three aspects of music layout and character image design,the daily life of singing and Yunbai,as well as the new creation and pattern analysis.The third chapter discusses the further innovation of Shengqiang music incorporating non-programmatic factors.Through the comparison with the traditional Peking opera and the micro-change innovation part,it discusses how the Shengqiang music is based on the theme music penetration,the reference and integration of other professions’ singing,the song genre reference and the innovation of the singing form,and the arrangement of cross-door music and Chinese and Western bands.Incorporate new creative concepts,and continue to innovate based on traditional vibes and micro-change innovation.The fourth chapter explains the significance of the "model opera" of Peking opera in the new exploration of Shengqiang’s creation.Through the comparison and analysis of the music of the "model opera" of Peking opera,it can be concluded that the emergence and development of the "model opera" of Peking opera reflects the inheritance,transformation and development of Chinese opera music,especially the traditional art of Peking opera in the new historical period.The new changes in the development of the singing voice music show that Chinese Peking opera music creation has entered a richer and broader space,highlighting the organic integration of traditional Chinese Peking opera art and world music art.We should separate the artistic achievements of the “model operas” of Peking opera from the special political factors of the time in a fair and objective manner.Only by adopting the attitude of learning from history and learning from the past can we avoid reversing things and repeating the same mistakes.Under the guidance of the methodology of fine discarding dross,we can continue to promote the innovation and development of modern Peking opera.