A Comparative Study On The Audio And Video Versions Of Mozart’s《Fantasia K397 In D Minor》

Mozart is a famous Austrian composer,one of the representatives of the classical period.He created a large number of piano works in his life,mainly including Sonata,symphony,Concerto,Fantasia and so on.In Mozart’s Fantasia,Fugue is the main creative technique,which changes rapidly and gives full play to the free imagination.Mozart’s Fantasia is the color change of tonality and harmony,the ingenious conversion of music strength and speed,the dramatic turn of the theme part and rich and colorful sentences and other musical elements,which realize this kind of almost perfect Fantasia.Fantasia K397 in D minor is the most classic of the three Fantasia.This work contains rich thoughts and feelings,and a high degree of musicality,And covers a lot of difficult piano playing skills,this paper through the comparative analysis of the recording versions of Alfred Brendel,Uchida photon,Maria Hoo pierce and Ingrid hebler,finds out the similarities and differences in the performance of the four performers from the speed,strength and pedal,so as to better grasp the differences The performer’s understanding and deduction of music,so as to provide a deeper theoretical reference for the author’s performance practice.In Mozart’s Fantasia,Fugue is the main creative technique,which changes rapidly and gives full play to the free imagination.Mozart’s Fantasia is the color change of tonality and harmony,the ingenious conversion of music strength and speed,the dramatic turn of the theme part and rich and colorful sentences and other musical elements,which realize this kind of almost perfect Fantasia.The full text is divided into four parts: introduction part: describes the purpose and significance of the topic,research status,research content and research methods.The second part: the creation background of Fantasia K397 in D minor is elaborated,and the music style of the work is analyzed.The third part: from the speed change,strength change,pedal use and other aspects of the four versions with Cubase,audacity and Cool Edit software for comparative analysis,combined with the author’s performance practice,elaborated on the analysis of different players’ performance skills.The fourth part: conclusion.According to the research,the four performers have similar emotional treatment of Fantasia K397 in D minor,but there are still great differences in the treatment of Adagio and allegro.Brendel’s performance style is bright and gorgeous;Uchida photon’s performance is restrained and restrained;Pierce’s performance is gentle and euphemistic,with delicate treatment;hebler’s performance style is clean,and differentaudio-visual performance versions not only reflect different performance styles,but also reflect the different understanding of the works by the performers.Combining the above conclusions with the performer’s life experience and perception,we can feel the sound effect and artistic conception created,deeply understand the composer’s creative psychology,and provide better reference for the author’s future performance.