Research On The Linear Structure Of Chinese Figure Painting

Yanyuan Zhang of the Tang Dynasty mentioned in "The Legend of Famous Paintings in Past Dynasties" : "The wireless person is not a painting." Lines can not only outline the outline,enrich the level of the picture,shape the volume,texture,and texture,but also express the emotional ups and downs of the painter when he paints,So as to create a vivid mood.Undoubtedly,as the most basic element of the expression of Chinese figure painting,the quality of line determines the quality of the entire figure painting.This article mainly discusses the linear research of contemporary figure painting from three aspects.First,The line of Chinese figure painting has been widely used in life since primitive society.The author uses the development of "line" in different periods to illustrate the line from the initial simple line art to the new and innovative expression methods in later paintings.Fully shows the development process of the "line" in Chinese figure painting for thousands of years.Then it briefly analyzes the inheritance and development of modern characters’ brush and ink lines.The inheritance and development of modern characters’ brush and ink lines are analyzed.It is mainly introduced from two aspects: one is the inheritance and development of contemporary figure painting by the Xu-Jiang system;the other is the inheritance and development of contemporary figure painting by the "New Zhejiang Faction".Since the reform and opening up,artists with realism as the theme have paid more attention to the expression of emotions in the picture,calling for creation and innovation,pursuing boldness and freedom in the use of pens,and they need to innovate on the tradition while learning the tradition,so as to create Linear language with characteristics of the times;Second,it mainly analyzes the aesthetic analysis of the linear structure of contemporary figure painting.Whether it is sketch,line drawing or freehand line drawing,the aesthetic analysis of contemporary figure painting is inseparable from linear expression.The author is introducing the main line drawing of contemporary figure painting.At the same time,through an example,the use of pen is analyzed.The so-called "calligraphy into painting",the creation of Chinese painting is inseparable from the use of pen.Third,Analyze the aesthetic taste of the linear structure of contemporary figure painting,and combine my own understanding of the linear structure of contemporary figure painting to carry out my own painting creation process and analysis.Use printmaking techniques to replace black and white lines in creation,inject western cultural elements and aesthetic appeal into traditional fine brushwork,and try to reconstruct the picture by looking for the collision and combination of Chinese and Western cultures to convey their own ideas.This article reflects the characteristics of the times through the aesthetic source and aesthetic value of ancient and modern lines.The visual experience and meaning of the thread used in contemporary figure paintings are very different from those in traditional traditional figure paintings.The change of the painter’s aesthetic taste in figure painting has affected the way they use thread.The thread used by contemporary painters is based on Traditional innovations are interesting and expressive lines with more complex linear structures.