The Research Of Early Yuan Dynasty Northern Calligraphers Group

The thesis takes northern calligraphers in the early Yuan Dynasty as the research object.Based on the same calligraphic style and calligraphic concepts,the same historical background and social environment,similar hometowns and identities,and mutual exchanges among the northern calligraphers during this period,It is regarded as a "group" for research.According to the time sequence of its main internal activities and the changes in calligraphy style and calligraphy concepts,it is divided into two parts:the first generation of calligraphers in the north in the early Yuan Dynasty and the second generation of calligraphers in the north in the early Yuan Dynasty.Starting from the three aspects of social and historical background,calligraphy style,and calligraphy concepts,through the overall longitudinal comparison of the group of calligraphers in the late Jin Dynasty-the first generation of calligraphers in the north in the early Yuan Dynasty and the second generation of calligraphers in the north in the early Yuan Dynasty,And a horizontal comparison of the second generation of calligraphers in the north at the beginning of the Yuan-the calligraphers of the Southern and Southern Song dynasties at the beginning of the Yuan,and the personal life experiences and contacts of the representative calligraphers of the two generations of calligraphers in the North at the beginning of the Yuan Dynasty.,Calligraphy style and calligraphy viewpoints,etc.to organize and supplement materials to explore the development of calligraphy in northern China from the death of the Jin Dynasty to the end of the Yuan Dynasty,and analyze its influence on the style of calligraphy in the Yuan Dynasty.At the beginning of the Yuan Dynasty,the first generation of calligraphers in the north was composed of Jin Yimin calligraphers.On the basis of continuing the development of Jin end calligraphy,they played a role in connecting the next generation of calligraphers.At the beginning of the Yuan Dynasty,the second generation of calligraphers in the north were mostly disciples of the calligraphers of the previous generation.During the first year of the Yuan Dynasty,they basically agreed with the concept of "retro" in calligraphy and began to put it into practice.Later,some calligraphers in this group went to Hangzhou in the late Yuan Dynasty and exerted a positive influence on the development of southern calligraphy.In the end,the calligraphers of the North and the South further agreed on the concept of calligraphy and calligraphy,and after Dade,they pushed the calligraphy calligraphy movement to a climax and formed the style of the calligraphy of the Yuan Dynasty.