| As a unique type of films in China,mainstream film has been developing since1980s,and has been combining with marketization and commercialization during the21st century.After China has entered the New Era was raised from the 19th CPC National Congress,mainstream film took on a new look and made innovation in narratology under the background of the New Era.This thesis will choose the perspective of film narratology,and use textual analysis method to analyze three narratological strategies,which are non-fictitious,fictitious and playful narrations in the New Era mainstream films.Through the analysis,the author will find some problems need to be improved,and give some beneficial suggestions.In the introduction,it will be the literature review by concept analysis and theoretical research on the New Era,mainstream,mainstream film and film narratology.The first chapter will study on the present situation of production and communication of the New Era mainstream films.The second chapter will study on the New Era mainstream films which use non-fictitious narration.Non-fictitious narration aims to restore the reality originally,the author will analyze in three aspects including real person,real thing and real environment.The third chapter will study on the New Era mainstream films which use fictitious narration.Fictitious narration still originates from realism:characters have typical figures which are highly enriched,plots are based on realistic logic and recreated dramatically,and time and space are reshaped based on realistic scenes.The fourth chapter will study on the New Era mainstream films which use playful narration.Playful narration is totally disconnected from reality:hero characters are full of parody and deconstruction,the narration of plots is influenced by video game,scenes show visual spectacles,and communication strategy leads to marketization.At last,the fifth chapter will give some immature advice towards narratological strategy of the future New Era mainstream films and how to develop reasonably. |