The Study On The Intertextuality Of Zhang Shuguang’s Poetry

Intertextual writing is one of the creative methods frequently used by the poet Zhang Shuguang,and his poems also show obvious intertextual characteristics.This paper uses the theory of intertextuality to study Zhang Shuguang’s poems,interprets the intertextual landscape in the poems,analyzes the generation strategy of intertextuality in poems and the digestion mechanism of intertextuality,and then explores in the field of "Poetry in the 1990s" The value,achievement and significance of Zhang Shuguang’s intertextual poetry.The first chapter focuses on the intertextual landscape in Zhang Shuguang’s poems.Among them,the formation of the first landscape is based on the opening of poetry to literary classics,and the two most significant landmarks are formed by the reproduction of literary classics and the collapse of value models.Dialogism made the second sight to be formed.Zhang Shuguang sought a dialogue with his predecessors in his poems.The endless conversation and banter created a feast of auditory tremor thoughts for this intertextual sight.The third landscape involves cross-media intertextual relations.Zhang Shuguang incorporates some film texts into intertextual objects,and provides a dizzying view of light and shadow pictures,character plots,etc.during the conversion and interaction with the film.point.The second chapter analyzes the intertextuality generation strategy of Zhang Shuguang’s poems combining position and technique.Zhang Shuguang constructed a triple intertextual network in his poems,including the intertextual network between the subtext and the main text,the intertextual network between the main text and other texts,and the intertextual network between the self-text and the self-text.Each intertextual web has a corresponding weaving technique,such as the use of titles,collages or parody.Through the positioning of the triple-intertextual network and the use of specific techniques,Zhang Shuguang has completed the weaving of heterogeneity in his poems.The third chapter discusses the digestion mechanism of Zhang Shuguang’s poems to intertext.Intertextual writing makes a large number of heterogeneous components in poetry,and the organic integration with other elements in the text requires Zhang Shuguang ’ s exclusive digestion mechanism: under the poet’s “eating”,the intertext slips into a“contextualized” digestion Dao,on the way,was catalyzed by the digestive enzyme of "daily nature",and the organic matter of "elemental poetic nature" was precipitated.The conclusion part summarizes Zhang Shuguang’s poetry creation in the field of "90’s poetry" and discusses the role and influence of poetry inter-writing from two angles: whether inter-textuality brings about the masking or spawning of this problem becomes the poet’s bewilderment,and the reading crisis it creates also causes the reader to fall into the night.