Research On The Theory And Practice Of China’s Technical Beauty In The New Era

With the rapid development of science and technology in the 21st century,the interaction between aesthetics and the field of technology is getting closer and closer.The aesthetics of the technological age bears a more severe humanistic mission than ever.Technical aesthetics is born in accordance with the times,and technical beauty,as its core category,should become an important town in contemporary aesthetics research.At present,the academic circle’s attention to the beauty of technology lags behind the status quo of technology development to a certain extent,and there is still plenty of room for improvement in principle exploration.On the basis of absorbing the research results of predecessor scholars,this paper strives to refine the discussion on the topic of technical beauty,mainly from three aspects:First,trace the development process of technological beauty,and outline its essence and characteristics.The concept of "technical beauty" originated from the West.The development of Western technological aesthetics has gone through the three stages of handicraft movement,Bauhaus doctrine,and Dizain’s popularity.Technical beauty,as the direct manifestation of the essence of beauty,is the unity of truth and goodness,the unity of regularity and purpose in the process of creation.As the most extensive and deep part of social beauty,technical beauty is closely related to artistic beauty and natural beauty.At the same time,it has the characteristics of distinct historical scale,unity of utilitarian and ultra-utilitarian,and fusion of stability and imagination.Secondly,through the comparison between China and the West,the aesthetic wisdom of ancient Chinese technology is extracted.Different from the traditional thinking mode of subject and object in the West,Chinese classical aesthetics has the advantage of "the harmony between man and nature",and the development of Chinese technological beauty should be based on this theory.At the same time,examples of the beauty of "Harmony" and bronzes and the design wisdom of the Forbidden City in "Kaogongji" are given in order to discover the theoretical resources and artistic creations of the sages about the beauty of technology.Finally,based on the investigation of the current status quo,deduce the future development prospects of technological beauty.The development of technology in the future should abandon the perceptual theory of alienation,and pursue the transformation from tool ontology to emotion ontology,so as to realize the "humanization of technology".At the same time,the beauty of technology,as the aesthetic trend in the era of great aesthetic economy,is closely related to aesthetic topics such as the aestheticization of daily life and aesthetic education.Through various researches on the process of technical beauty,the essential characteristics,and the comparison of similarities and differences between China and the West,it is found that technical beauty is not only a technical problem,but also contains diverse and complicated humanistic connotations.This is the key to the study of technical beauty,and it is worthy of continued efforts in the aesthetics community In-depth discussion.