| Based on the study of Sixiao’s poems,the innovative performance of Sixiao’s poems is analyzed in combination with the historical background and literary tradition.From the perspective of the overall environment of The Times,the frequent wars and precarious living conditions in the Wei Jin Southern and Northern Dynasties stimulated the awakening of life consciousness,and an important expression of "human’s awakening" in the aspect of literature and art was "literary consciousness",and an important aspect of "literary consciousness" in the Wei Jin Southern and Northern Dynasties was the outstanding innovation.Specifically to the Xiao Liang Dynasty,Xiao Yan’s unique policy of "establishing the country by literature" and "governing the country by Buddhism" has brought profound influence on the literary creation of the Liang Dynasty.In terms of style,Xiao Yan’s poetry writing not only continued the style of Yongming’s poetry,but also played a certain role in creating and changing the form of poetry because of his love of music.Xiao Tong’s preface and compilation catalogue in the text Wenxuan reflect his thoughts on stylistic reform,and his discovery and promotion of Tao Yuanming’s style also show his unique stylistic ideas.With Xiao Gang and Xiao Yi as the center,the writing of palace style poetry realized the leap development of modern style poetry,and the style innovation of Xiao Yan and his sons was perfect and mature.In terms of the content of poetry,the Xiao’ s family unified women as the center of there poetry.The women in Xiao Yan’s works are no longer the metaphor of the traditional literati politics,but with a certain authenticity.Xiao Tong had a strong interest in expressing the sadness of women and at the same time incorporated the subtle palace style.Both Xiao Gang’s and Xiao Yi’s palace style poems present obvious description of senses,while Xiao Gang’s instantaneous creation of desire and the expression of enjoyment mentality in Xiao Yi’s poems have their own uniqueness.In terms of aesthetics,the poems of Xiao Yan and his sons have expanded the aesthetic implication of the image of "lotus gathering" to a certain extent;secondly,their poems have changed from the spiritual "drawing towards the big picture" to the material "drawing towards the small picture",and their aesthetic mentality has also shown a change from sadness to amusement. |