| Li Rui is a writer with strong self-consciousness in narration.He always writes history from his own feelings.While asking and reflecting on history,he also attaches great importance to innovation in narration.It is precisely because of his spirit of exploration that he does not pursue the mainstream of literature that the academic world has not paid enough attention to Li Rui and his works,and the research results are not satisfactory.This paper tries to start from text,draw lessons from the classic narrative about the narrative structure,narrative time,narrative Angle of view of relevant theories,the li of historical narrative structure,as a basic writing tries to comb li expresses historical method,try to li novel historical narrative technique is commonly used in carding and classified,and to explore the cause of such a narrative,and search for its historical narrative by questioning and reflection of " Li Rui’s view of history".The paper is divided into five chapters:The first chapter focuses on the question of "what kind of history is presented and what kind of characters are shaped",and summarizes the historical world presented by the historical narration in Li Rui’s novels.From the thick soil,the tree of no wind,cloudless etc of luliang the "cultural revolution" of the earth,to undertake the site story background "yincheng story",to the new "on the eighth day of the Martin" step by step close to li text reading the history of the world,the sanctity of its historical resolution,abandon the shaping of the hero shows to historical questions and one hundred national salvation and enlightenment thinking.The second,third,and fourth chapters are all "how to tell history",which is also the focus of this paper.The second chapter is a regressive narrative structure--the three-dimensional intersecting of explicit and implicit,and interprets the deep historical implication expressed in Li Rui’s novels from the perspective of surface structure and deep structure.The third chapter discusses Li Rui’s control of historical narrative rhythm from three aspects: time interval,time sequence and frequency.The fourth chapter analyzes how Li Rui shows the dark Angle of history from the perspective of personal narrative perspective--the free transformation of multiple perspectives.Chapter 5 deals with the question "Why?" First of all,Li Rui’s attitude of "refusing chorus" led him to vacillate between fiction and realism when writing history.Secondly,Li Rui’s inheritance of Chinese literati spirit and his integration with western techniques have created the historical narrative technique of "harmony without uniformity".Finally,from the perspective of identity,the author analyzes how Li Rui’s "speechless" identity caused by his experience as an educated youth affects his novel creation,and how he breaks through the ideological dilemma and approaches the historical truth step by step. |