Study On The Music Analysis And Singing Practice Of JIANG JIE’S Aria In The Second Act Of Opera "Jiang Jie"

The successful creation of the opera Sister Jiang pushed the development of Chinese opera to the second climax.The red plum spirit in the opera describes the Chinese nation’s riffing and rousing revolutionary spirit in the long history of national unity."Sister jiang" music achievement lies in the composer effectively to change traditional opera plate technique will hong mei theme running through the next,and absorbed the music elements of traditional Chinese folk tune,the novel "red rock" in the real revolutionary stories reflect in opera genres,to create a number of dramatic and widely promoted Chinese opera aria.Opera scene two main tells the story of sister jiang husband sacrifice this important plot,one sister jiang aria "green pines forest red flag Yang","revolution to the end,such as steel,from different angles and different situation reflects the sister jiang revolutionary will,from the female revolutionaries know micro see dangerous not abandon life circumstances,fully reflects the" sister jiang "is not afraid of hardship,not afraid of blood,sacrifice,tread wear and stay fearless revolutionary spirit.This article will focus on "sister jiang" sister jiang in the second act opera characters and role in stage performance analysis psychological construction of interpretation,in opera music creation song music theoretical analysis frame and the connection between the plot,from "the sound is four hu","Shi San Zhe","lip cavity" and other traditional concepts of both sing first aria singing techniques,the purpose to better interpret the opera in singing practice "sister jiang" sister jiang in the second act music colour and thought connotation.