A Probe Into The Tragic Consciousness Of Tarkovsky’s Movies

Andrei Arsenievich Tarkovsky(Андрей АрсеньевичТарковский)(1932-1986),a known as the most outstanding film director in Russia(the former Soviet Union)after Eisenstein,at the same time He is also known as one of the directors of the "Holy Trinity" of the world’s modern art films.Tarkovsky once said when talking about his film "Road Roller and Violin" that "this is actually a tragedy." It can be seen that Tarkovsky has a strong sense of tragedy in his film works.In other words,it is precisely because of Tarkovsky’s conscious and sober aesthetic grasp of the real dilemma that his film works have a certain degree of uniqueness and depth.Therefore,when the consciousness of tragedy enters Tarkovsky’s film research,it will provide a new possibility for people to understand Tarkovsky’s film characteristics.Based on this,this article will take Tarkovsky’s film text as the main body of research,and through the analysis of the tragic consciousness in Tarkovsky’s films,it can be concluded that Tarkovsky’s films are distinctive and ordinary.The conclusion of tragedy consciousness.It can even be said that Tarkovsky’s films are to some extent the refinement and sublimation of tragedy consciousness.The full text is divided into five parts: define the concept of "tragic consciousness" in the introduction and summarize the relevant research status at home and abroad,and clarify the significance of the study of Tarkovsky’s film tragedy consciousness in this thesis;the first chapter studies Tal The causes of tragedy consciousness in Kowski’s films are analyzed from the aspects of personal life,creative experience,geographical environment,time background,and religious beliefs,to analyze the main factors that affect the tragedy consciousness in Tarkovsky’s films,so as to establish the importance of tragedy consciousness for research The effectiveness of Tarkovsky’s films;Chapter Two analyzes the thematic representations of tragedy consciousness in Tarkovsky’s films,from the roots of love and loneliness,the conflict between self and the world,the struggle between salvation and sacrifice,truth and Four aspects of sublime transcendence,combing and summarizing the aesthetic representation of tragedy consciousness in Tarkovsky’s films;Chapter Three summarizes the image presentation of tragedy consciousness in Tarkovsky’s films,from the dull scene space and the sad audiovisual language The three aspects of metaphors and symbols of hope,interpreting Tarkovsky’s tragic landscape created in the process of film creation;Chapter 4 focuses on the characterization of the tragic consciousness in Tarkovsky’s films,starting from "self From the aspects of “being type” and “free type”,it analyzes the different behaviors of different types of characters in the face of disasters and hardships;Chapter 5 returns to the tragedy consciousness itself in Tarkovsky’s films,from both aesthetics and spirituality.Analyze the positive impact Tarkovsky has brought to the entire film industry in two dimensions.Therefore,exploring the tragedy consciousness in Tarkovsky’s films can not only broaden the research on Tarkovsky’s films horizontally,but also deepen the audience’s perception of Tarkovsky’s films vertically.Understanding and cognition of works.