A Semiotic Interpretation Of Errenzhuan In Northeast China

As a folk art with local characteristics in China,northeast Errenzhuan was listed in the national intangible cultural heritage list in 2006.It is not only the carrier of cultural and artistic heritage in Northeast China,but also the aggregation of multi culture in today’s society.German philosopher Cassirer regards the emergence and development of human culture as closely related to symbols.He regards people as "animals of symbols".He thinks that symbols are the carrier of culture,and the creation and inheritance of culture are based on symbols.From the perspective of semiotics,the transformation of two people is not only an art form for entertainment,but also a collection of various forms The huge and complicated ideographic system of symbols.The reason why we can really feel the strong northeast characteristics when we watch Errenzhuan is through the information transmitted by visual,auditory and other symbols in the performance.Under the background of social information and cultural diversity,Errenzhuan,an artistic symbol that has grown up in the soil of folk culture and traditional culture,inevitably leaves its original cultural context under the drive of the tide of the times.Modern multi culture gives it a new look,but also reduces the significance and its own existence value of Errenzhuan.From the perspective of semiotics,this paper studies the Northeast Errenzhuan at the level of folk art symbols,interprets the communication and development process of Errenzhuan in different cultural contexts with the help of the relevant theories of semiotics,reexamines the significance of the symbol while exploring the change and development of the symbol,and deeply analyzes the alienation phenomenon of the symbol meaning,so as to provide reference for the Northeast Errenzhuan This paper provides some suggestions for the inheritance and development of human transformation.