Study On The Performance Of Two Xinjiang Dance Songs By Ding Shande

There are many Xinjiang style piano music in China from 1950 s to 1980 s.Among them,Ding Shande’s "Xinjiang Dance No.1(Op.6)" and " Xinjiang Dance No.2(Op.11)" were created in 1950 and 1955,respectively.The creation of two Xinjiang dance songs has become a new beginning to express the music culture of ethnic minorities in China with piano,and has been adapted into orchestral works abroad.One was brought abroad by student Zhou Guangren,and one was adapted by Soviet conductor Dilizeyev for orchestral music.The band adaptation works enhance the sound effect and expressiveness on the basis of the piano works,so when playing and listening to the piano works,we should not only regard the piano as a solo instrument,but also draw lessons from the sound effect of the band.In order to achieve the best effect of the performance of this work.Based on the creation and music characteristics of Ding Shande’s two Xinjiang dance songs,this paper analyzes the piano version and the orchestra version of the works,and understands the similarities and differences of the playing version.To touch the key,tone volume control,rhythm and rhythm of the use of pedals and other aspects of performance research.In order to improve the musical performance of the works,deepen the understanding and interpretation of the works,in order to better grasp the works.