Study On Jiang Kui’s Yue Nine Songs

Yue Nine Songs comes from Baishi Taoist Songs,a collection of Jiang Kui’s music and literature works.It is a series of sacrificial songs that combine poetry and elegant music.This paper attempts to combine the music score and lyrics of Yue Jiu Ge,and to analyze this group of sacrifistic songs in connection with the works of the previous generation and Jiang Kui’s other music works,so as to get a more comprehensive understanding of Yue Jiu Ge.The first chapter is the elaboration of Jiang Kui’s creative thought,we combine Jiang Kui’s poetic theory,"Great Le Discusses" and "Sheng Song Naoge ADVOCATE SONG",to discuss his theory of poetry creation and the theory of elegant music creation,and demonstrate how Yue Jiu Ge shows Jiang Kui’s literature and elegant music thought.The second chapter is the narration of the related concepts of Yue Jiu Ge.First of all,it briefly introduces Jiang Kui’s music literary creation career,briefly summarizes and explains the version of Bai Shi Taoist Songs,and explains the historical background and regional background of the creation of Yue Jiu Ge.Third chapter for the development of the "nine" body of literature on the evolution of a comb,"the nine songs" and the related literary works before the generation of "nine" body were analyzed,this article selects the qu yuan’s "nine songs" and unheard-of zi jun "nine recite",from the style,content,language style,thought connotation,and many other aspects comparing the similarities and differences between these films,and analyze the "nine songs","nine recite" for claims the creative influence of the nine songs.The fourth chapter is "the nine songs" of music literature analysis,will be "the nine songs" ten offering songs according to the mode classification and analysis of the language features of each song ci and emotional connotation,through the data statistics of the ten song rhymes of level and oblique tones,song ci in four tones,and explore the relationship between TDD tune has,make "the nine songs" song ci and can more clearly show the relation of melody.The fifth chapter makes a brief analysis of Jiang Kui’s other music and literature works,including the qin song "ancient grievances" and seventeen ci music.In these works,Jiang Kui’s aesthetic requirements for the harmony of vocal rhythm and the pursuit of "elegance" are also fully reflected.Through the above analysis,it is not difficult to see that both as a musician and a writer,Jiang Kui’s creation is very rigorous.He adheres to the retro music thought,advocates the week system,and practices his own thoughts in his creation.Yue Jiu Ge is not only a set of songs to sacrifice to the sages,but also contains Jiang Kui’s patriotic feeling.