Bruckner’s Monumental Religious Feelings

Throughout the development of western music we is not hard to find,no matter which period of music history,music historian writing cannot leave a period of thinking pattern and perceptual recognition,although history is constantly refresh,correction,supplement,but not out of the historical facts of science exists.Anton bruckner,a devout Catholic,he is a very important composer,the romantic period in the 19 th century religion has always been throughout his music creation,his works full of strong religious mystery,rich music language as possible to show he is strong and the spiritual world of the contradiction of self-doubt,bruckner’s work is considered by many musicians as “the most close to the voice of god.”Bruckner lifetime wrote ten symphonies,his symphony creation style under the influence of Wagner,music creation,in addition to the third symphony is dedicated to Wagner’s works,his “the seventh symphony” is the second film for wacker’s work.Long,the entire symphony,magnificent vast music volume highlights the bruckner monumental religious feelings.Bruckner while he was working in the seventh symphony received Wagner’s death,so he will be the second movement of the symphony sites changed to Wagner’s song,“to the master’s funeral music”,namely the seventh symphony in bruckner symphony works landmark.As we can see from the carding of the symphony orchestra bruckner often hold the attitude of self-doubt and insecurity,he seems to always living in the world of being criticized and can’t really get on independent thought.This paper consists of three chapters and the conclusion of four parts:The first chapter of Anton Bruckner’s life and creation is divided into two parts:Bruckner’s artistic experience and the spiritual source of his symphonic creation.This paper summarizes Bruckner’s experience of learning art from three periods,namely Austria,Linz and Vienna.His works are all dominated by religious genres,and his worship and admiration for religion are all reflected in his works.The second chapter,by analyzing the application of religious genres,such as ecclesiastical mode,basic song theme,chromatic harmony and so on,analyzes the existence of monumental-style religious feelings at a deeper level.In the world of the faithful,the experience of religious pleasure and pleasure comes from a strong religious consciousness.The third chapter discusses the influence of Hanslick on Bruckner and his unique aesthetic perspective.The aesthetic feeling of Bruckner’s works not only has the colorful romantic music style,but also comes from the vast sense of space and strong religious color.The conclusion concludes that Bruckner has a controlling power of religious connotation which is difficult for contemporary romantic composers to surpass.His unique writing techniques and perfect expression of his works have won great repercussions in the history of western music.To clarify the development venation bruckner symphony,and how the spirit of the19 th century symphony and technology,this paper will be based on the religious feelings for bruckner symphony creation theory field,based on abundant historical data collection and literature research,on the seventh symphony as a case study to explore the bruckner symphony music element and religious trace,strive for to bruckner and this was a late bloomer composers have deeper interpretation and recognition.